民国前期(1912—1937)书画润例研究——以北京、上海地区为例-艺术学专业毕业论文.docxVIP

I I 摘要 润例是书画价格的直接表现，是在书画交易过程中，书画家为自己作品所制订的价格形式与价值形 态。作为一种衡量尺度，它可以透过价格的高低折射出书画家的艺术水平、文化修养以及社会地位。本 文以民国前期（1912-1937）书画润例为研究对象，把研究范围界定在北京、上海两个具有代表性的艺术 区域，从书画润例的基本形制出发，运用经济学原理阐释书画润例的经济价值，透过分析学原理解析书 画润例的不同形态以及文化特点，并结合社会学原理比较出民国前期书画家的收入水平与生活状况。全 文立足于书画润例，把书画家、书画作品、消费者、市场串联起来，全面勾画出民国前期书画市场的基 本形态，进而对当代中国繁荣的艺术市场起到指导与借鉴作用。 关键词：民国 润例 书画家 经济价值 生存情况 II II Abstract Remuneration is the direct manifestation of the painting and calligraphy prices, and is the scale of professional fees charged by a painter, writer or calligrapher in the transactions over painting and calligraphy. As a measure, remuneration is reflects the level of the art of calligraphy and painting, cultural accomplishment, and social status. This article conducted a research on the remuneration of calligraphy and painting in the Early Republic (1912-1937), and the researching scope was limited in Beijing and Shanghai, the two representative regions of art. We started from the basic form of remuneration, utilized the principles of economics to interpret its economic value, analyze its different forms as well as cultural features through the theory of analysis, and finally compared the revenues and living conditions of painters in the Early Republic. The full text was based on the painting and calligraphy remuneration, and sketched out the general form of art market in the Early Republic by linking painters, artistic works, consumers and market, which was a guide and reference for the contemporary Chinese art market boom. Key word：The Republic of China Remuneration Calligraphist and painter Economic value Survival condition PAGE PAGE IV 目录 摘要 I AbstractII 目录 III 图表清单 V 绪论 1 第一章 润例的构成、发布方式、类型以及影响因素 5 第一节 润例的构成 5 一、跋文（启文） 5 二、诗文 6 三、润例内容 7 四、收件地址 7 五、介绍人 8 第二节 润例的发布方式 8 一、店铺买卖 8 二、广告形式 9 三、书画社团与展览 9 第三节 润例的类型 10 一、从润例用途上分：分为自用润例和助赈润例 10 二、从种类上分：分为书法润例和绘画润例 10 三、特殊润例——女性书画家润例 11 第四节 影响润例的因素 11 一、时局状况 11 二、书画家创作水平与时间 1