琳达·哈琴的后现代戏仿理论研究-美学专业论文.docxVIP

AbstractStudies Abstract Studies on Linda Hutcheon’S Post·modern Parody Theory Major：Aesthetics Postgraduate：Liu Weiwei Supervisor：Mao Juan Abstract：In recent years，with the rapid development of China’S economic and social，the post—modem phenomenon has gradually become the inevitable cultural field． at the same time，In this paper,the famous Canadian postmodem literary theorist Linda Hutcheon’S parody theory became research object．As one of the female theorists of postmodemism，her research penetrate former theory and aesthetic practice with unique anatomy and perspective，to a certain extent，she has gained academic attention and recognition，and let people understand postmodemism more sharply． In Linda Hutcheon’S complicated system of academic thought，parody was one of the keywords which she used to explain the phenomenon of postmodemism．Parody was built on the basement of irony,but different with irony,and more complex than irony．Parody has conceived ideology in itself,only readers and viewers who have the same ideology could interpret the true meaning of a perodic production．Unlike the traditional attitude that a perodic production was teasing the original production，she thought in the twentieth century is a perodic production was admiring and respecting the original production．This paper will focus on the Linda Hutcheon’S A Theory ofParody， interpret and summarize the content of it． The full text was divided into six chapters：the first chapter as introduction summarized the causes of this issue and its significance，domestic and foreign research status，research methods．The second chapter combed through parody theory development before Linda Hutcheon，and expounded the background of the rising of Linda Hutcheon’S postmodemism theory and its breakthrough．The third chapter summarized and reviewed the content of Linda Hutcheon’S A Theory of Parody．The fourth chapter,examined Linda Hutcheon’S other writings wherein parody was discussed．The fifth chapter discussed Chinese