崂山道教科仪音乐研究-音乐学专业论文.docxVIP

独 创 声 明 本人声明所呈交的学位论文是本人在导师指导下进行的研究工作及取得的 研究成果，据我所知，除了文中特别加以标注和致谢的地方外，论文中不包含其 他人已经发表或撰写过的研究成果，也不包含为获得 _（注：如 没有其他需要特别声明的，本栏可空）或其他教育机构的学位或证书使用过的材 料。与我一同工作的同志对本研究所做的任何贡献均已在论文中作了明确的说明 并表示谢意。 学位论文作者签名： 导师签字： 学 位 论 文 版 权 使 用 授 权 书 本学位论文作者完全了解 学校 有关保留、使用学位论文的规定，有权保 留并向国家有关部门或机构送交论文的复印件和磁盘，允许论文被查阅和借阅。 本人授权 学校 可以将学位论文的全部或部分内容编入有关数据库进行检索， 可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。（保密的学位论文 在解密后适用本授权书） 学位论文作者签名： 导师签字： 签字日期：20 年 月 日 签字日期：20 年 月 日 山东师范大学硕士学位论文 山东师范大学硕士学位论文 山东师范大学硕士学位论文 山东师范大学硕士学位论文 i i ii ii 目 录 中文摘要·························································································································· I 英文摘要······················································································································· III 绪论 1 一、论文选题的目的和意义················································································· 1 二、国内外关于该课题的研究现状及趋势························································· 2 第一章 崂山道教与道教科仪音乐············································································· 3 第一节 崂山道教的渊源与流变········································································· 3 一、创建的历史原因及元朝时期的兴盛······················································· 3 二、崂山道教在明朝时期的稳步发展··························································· 4 三、崂山道教在清朝及解放前时期的衰微··················································· 4 四、崂山道教在社会主义时期的新生··························································· 5 第二节 崂山道教科仪音乐的渊源与流变························································· 6 一、东汉时期：崂山道教音乐的萌芽··························································· 7 二、东晋南北朝时期的崂山道教音乐··························································· 7 三、唐代北宋时期的崂山道教音乐······························································· 8 四、南宋金元时期的崂山道教音乐······························································· 9 五、明清时期的崂山道教音乐····································································· 10 六、现当代的崂山道教音乐········································································· 10 第二章 崂山道教科仪音乐的功能