论写意人物画造型中的势态美感-中国画(人物)专业论文.docxVIP

Ⅱ Ⅱ 英文摘要 ABSTRACT In the traditional Chinese painting enjoyable portrait is develops the change in the exquisite brush and in the outline drawing portrait foundation to come. The traditional Chinese painting tradition is by the line modelling, particularly in the enjoyable portrait to the calligraphy with pens emphasis, strengthened in the portrait modelling potential state esthetic sense greatly. In the concrete enjoyable portraits creation, the picture with the pen with the ink besides guaranteed calligraphy with pen when writes the freedom smooth should also follow the character physique structure the objective law and the innermost feelings emotion real expression. The outstanding enjoyable character painter can always control in the picture modelling to open and close, the assembling and parting, the density, the right and wrong adeptly, vertically and horizontally, the surrounding area and so on many unification of opposites factor, in line with to the life esthetic senses cognition and to the innermost feelings moods contemplation, creates splendidly has the potential state esthetic sense character image. Key word:Modelling; Potential state;Pen calligraphy；Body structure； Opening and closing；Together and spread； 目录 目录 Ⅲ Ⅲ 目 录 中文摘要 ?????????????????????? 英文摘要 ?????????????????????? 前言 ???????????????????????? Ⅰ Ⅱ 1 第一章 写意人物画笔墨造型中的势态 ?????????? 2 第一节 线条自身的势态美感 ?????????????? 2 第二节 线条组织关系中的的势态 ???????????? 3 第三节 墨色变化中的势态 ??????????????? 4 第二章 写意人物画形体结构中的势态 ?????????? 6 第一节外部形体的势态 ???????????????? 6 第二节 头、手结构中的势态 ?????????????? 7 第三节 衣纹组织结构中的势态 ????????????? 8 第三章 创作过程中的心得体会 ????????????? 10 结束语 ??????????????????????? 11 致谢 ???????????????????????? 12 参考文献 ?????????????????????? 13 作者简介 ?????????????????????? 14 前言 前言 PAGE PAGE 1 前 言 中国绘画的品评标准中重要的一点是“气韵生动”。写意人物画中，无论是 气的贯通还是韵的律动都需要通过具有势态美感的造型来体现。画面中造型的势 态作为抽象的形式语言通过具体的笔墨和形体结构呈现出来。 在文人画的理论中，重要的一点就是提出书法入画的理论。书法入画使得线 条的书写特性以及姿态变化的多样性在画面中得以充分的体现，从而大大增强人 物画中线条的表现力，使得形体更具势态美感。书写的即兴发挥，使造型中的势 态也逐渐发展为个性的张扬。组成画面人物造型的具体因