试论杨维桢的山水诗.pdf

poems were not belong to Youxian poem, they also belonged to landscape poem. The poems has changed much comparing with the previously landscape poems. Yang Wei zhen was a famous landscape painter in later Yuan Dynasty. And he had special disposition, so his poems that describe landscape paint had a new look. In spit of the exquisite character, they also emphasized true feeling and his art personality. When Ming Dynasty came to the history stage, Qian Hou Qi Zi followed his many views of the poem writing. Such as opposing tradition, emphasizing human feeling, following ancient ways and creating new ways to write poem. And he also had an impact on Gong An Pai, Xing Ling Pai and Shen Yun Pai. His landscape poems not only followed the tradition of former times but also had an impact on later times. So we could say that Yang Wei zhen’ landscape poems was a bridge in landscape poem history in china. Key words: Yang Wei zhen Landscape poem Ideal character Art change III 目 录 绪 言„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„1 〈一〉元诗概说„„„„„„„„„„„„„„„„„„„„„„„„1 〈二〉元代山水诗的发展概况„„„„„„„„„„„„„„„„„„2 第一章 杨维桢艺术思想的形成„„„„„„„„„„„„„„„„5 第一节 杨维桢生平与文学创作简述„„„„„„„„„„„„„„„„5 第二节 杨维桢艺术思想的形成及其山水诗创作述略„„„„„„„„„7 第二章 杨维桢山水诗的思想特征„„„„„„„„„„„„„„11 第一节 以“诗本情性”为中心，强调艺术个性„„„„„„„„„„„11 第二节 以复古为旗帜，力图振衰起弊„„„„„„„„„„„„„„„14 第三节 以自然为至境，反对雕琢„„„„„„„„„„„„„„„„„17 第三章 杨维桢山水诗的艺术新变„„„„„„„„„„„„„„21 第一节 以乐府之体写山水„„„„„„„„„„„„„„„„„„„21 一 自制新题，众体兼备„„„„„„„„„„„„„„„„„„22 二 游仙笔法的运用与风俗场景的展现„„„„„„„„„„„„24 三 出入“二李”，独具风貌„„„„„„„„„„„„„„„„„25 四 自我精神的张扬与悲剧艺术的渗入„„„„„„„„„„„„28 第二节 精工俊逸的题画山水诗„„„„„„„„„„„„„„„„„29 一 长短不一，形式灵活„„„„„„„„„„„„„„„„„„30 二 诗画相融，风神独具„„„„„„„„„„„„„„„„„„31 结 语„