影视音乐外文文献及翻译.docxVIP

Hollywood?Theory,?Non-Hollywood?Practice: Cinema?Soundtracks?in?the?1980s?and?1990s The?Spectre?of?Sound:?Music?in?Film?and Television Experiencing?Music?Video:?Aesthetics?and Cultural?Context Annette? Davison .?,?Hollywood?Theory,?Non-Hollywood?Practice:?Cinema?Soundtracks?in the?1980s?and?1990s.?Aldershot:?Ashgate,?2004,?221?pp. K.J.?Donnelly .?,?The?Spectre?of?Sound:?Music?in?Film?and?Television.?lLondon:?British?Film Institute,?2005,?192?pp. Carol? Vernallis .?,?Experiencing?Music?Video:?Aesthetics?and?Cultural?Context.?New?York, NY:?Columbia?University?Press,?2004,?341?pp. Next? Section The?last?time?a?collection?of?screen?music-related?books?was?the?subject?of?a?Screen review,?the?reviewer?Simon?Frith?was?moved?to?note?each?works?‘self-defeating?…?need to?draw?attention?to?their?subjects?neglect’?as?well?as?the?very?limited?manner?in?which the?authors?seemed?‘to?be?engaged?with?each?other’.1?Judging?by?the?books?grouped together?in?the?present?review,?the?scholarship?in?the?area?is?now?much?more?collegiate, and?the?requirement?on?the?authors?to?self-diagnose?academic?isolation?seems?to?have become?unnecessary.?Annette?Davison,?K.J.?Donnelly?and?Carol?Vernallis?share?a?plethora of?critical?references?on?music–image?relationships,?from?Theodor?Adorno?to?Philip?Tagg and?many?points?in?between. A?substantial?canon?of?academic?writing?on?music?in?narrative?film?now?exists,?and?it?can no?longer?be?claimed?that?music?video?is?a?scholarly?blind?spot?(as?Vernallis?admits).?Of the?various?media?formats?discussed?in?the?books?under?review,?only?television?music remains?relatively?under-represented?academically?(though?Donnellys?two?chapters?on the?subject?begin?the?process?of?addressing?this?absence). In?this?context,?the?authors?task?would?appear?to?be?to?present?alternatives?to?existing work,?or?to?bring?new?objects?of?study?to?critical?light.?All?three?studies?make?claims?for their?own?originality?by?referencing?a?model?of?‘classical’?narrative?film?mus