从空间到平面一二十世纪油画平面语言的学习与运用.pdfVIP

山东建筑大学硕士学位论文 摘 要 油画平面语言打破了对客观物象真实再现的传统观念，通过 “平面”这一艺术形式， 将油画创作回归到平面本身的发现与探索。同时，油画平面语言不仅是对绘画形式语言 的探索，而且注重油画本体语言的表现力，更强调创作主体的主观表现性，从而使得画 家内心真实的感受能在绘画作品中得以表达。因此，平面是油画作品中重要的艺术特征， 油画平面语言作为较常见的绘画语言出现在中西方油画作品中。 本文以油画平面语言这一艺术形式为主线，展开对这一艺术形式的学习与运用。论 文主要分为四个部分，第一部分是绪论部分，通过研究背景，研究目的和意义，以及研 究的方法和思路，简述学习油画平面语言的必要性；第二部分是二十世纪油画平面语言 的相关学习，首先是对20 世纪油画概况进行说明，再次以二十世纪绘画大师亨利 ·马蒂 斯为例，阐述笔者对绘画平面语言的初探索，通过列举亨利 ·马蒂斯部分作品，总结出 其在构图、空间、色彩等方面在油画平面语言中的运用；第三部分是油画平面语言在笔 者毕业创作中的应用，通过具体实践，以自然风景和敦煌壁画这两个题材为主线，也着 重从构图、空间、色彩三方面，解决笔者在油画创作中个人绘画语言不完善等相关问题。 关键词：油画平面语言，构图，空间，色彩 I 山东建筑大学硕士学位论文 ABSTRACT Oil painting graphic language breaks the traditional concept of the real reproduction of objective objects, and through the art form of plane , the oil painting creation returns to the discovery and exploration of the plane itself.At the same time, oil painting plane language is not only the exploration of painting form language, but also pays attention to the expressive power of oil painting ontology language, and emphasizes the subjective expression of the creative subject, sothat thepaintersinner real feelingscan be expressed in thepaintingworks. Therefore, plane is an important artistic feature in oil painting works, and oil painting plane languageasamorecommonpaintinglanguageappearsin ChineseandWestern oilpaintings. This paper takes the art form of oil painting graphic language as the main line, and develops the study and application of this art form. The paper is divided into four parts, the first part is the introduction part, through the research background, research purpose and significance, as well as research methods and ideas, briefly describe the necessity of learning oilpainting graphic language;the secondpart isthe20th century oilpainting graphic language related