杨凝式对二王“古法”的传承研究.pdfVIP

摘要 摘 要 晚唐五代与魏晋时期情形极其相似，社会战乱动荡，政治经济大变革、大发展，士人性情消散等等。 杨凝式主要生活于混乱不堪五代时期，杨凝式作为这季世中人，作为上承隋唐下启宋明的书家，杨凝式 在书法史中的地位不容忽视。在研究其与二王“古法”的传承关系时，大家往往把其书作外在表现比如 技法、章法等作为谈论的焦点，而忽视五代中的杨凝式书写习惯、书写状态与魏晋隋唐时期的一脉相承。 本文独特之处在于着重从前贤所忽略的书写工具、执笔方式等方面论述杨凝式书风对二王 “古法” 的传承。书写工具、执笔方式等显而易见，却成为书家最容易忽视的地方。从考古出土的毛笔，现存的 古代字画的用纸及古画中所呈现的执笔方式等一系列蛛丝马迹中拼凑出五代时期书家的书写习惯，从而 印证杨凝式吸收二王 “古法”的 “必然性”。 关键词：杨凝式书风，二王 “古法”，五代士风，魏晋风度，书写工具，传承 I Abstract Abstract The conditions of the Late Five Dynasties are quite similar to that of Wei and Jin dynasties, with the society full of chaos and turbulence caused by war, great political and economic revolution and development aswell as dissipated scholars.YangNingshi lived in this chaotic age ofthe Five Dynasties for most ofhis life. As a person in the final stage of Tang and a calligrapher connecting between Sui-Tang Dynasties and Song-Ming Dynasties, the status ofYang Ningshi in the calligraphy history can not be ignored. In discussing the inherent relationship between his writing and two-Wangs’“ancient calligraphy”, people usually focus on discussing the external expression of the calligraphy, such as the techniques and art of composition, thus ignoring the writing habit,writing status and the same strain ofWeijin and Suitang Dynasties ofYangNingshi in FiveDynasties. The unique feature of this article lies in that it emphasizes on discussing the inheritance ofYang Ningshi calligraphy style from two-Wangs’ “ancient calligraphy” inwritingtools,writingmeansand so on,which are ignored by the previous scholars. The writing tools and means are usually the easiest to be ignored by the calligraphers even though they are obviously apparent. The writing habits of the calligraphers in the Five Dynasties are deducedby theuneart