印象主义音乐风格对中国钢琴音乐创作的影响 ——以崔世光《山泉》为例.pdfVIP

摘要 摘 要 19世纪末20世纪初，印象派作为一个新的音乐流派出现在法国，作为一个重要流派 它以全新的音乐表现手段对整个近代音乐的发展起到了重要作用。而当印象派音乐进入中 国，对中国产生了巨大的影响，引起了中国各位音乐家的剧烈讨论。随着人们对印象派音 乐的深入了解，印象派音乐逐渐被人们接受，越来越多的中国钢琴作品受到印象派音乐的 影响。 本文主要是以崔世光的 《山泉》作为研究对象，全文总共分为两大章节，第一章主要 是从整体上对印象派音乐与中国音乐的关系进行概述，包括印象派音乐的发展和印象派音 乐风格对中国钢琴曲创作的影响，第二章是从 《山泉》的视角下分析这首中国钢琴作品中 所借鉴的印象派音乐因素，此部分主要是从作品的分析以及演奏等方面来了解中国钢琴作 品是如何致力于本民族的元素与西方创作技术的融合，通过对这个课题的研究，了解东西 方文化之间的共同点，从而对我国将来钢琴作品的多元化创作具有重要的推动力。 关键词：印象派音乐，中国钢琴音乐，崔世光， 《山泉》 I Abstract Abstract In the late 19th century and early 20th century, as a new music genre, impressionism appeared in France. Meanwhile, as an important genre, it played a very important role in the development ofwhole modern music with itsbrand new musical performance means.And when the impressionist music went into China and had a huge impact on China, it caused an intense discussion of China’s musicians. With the people’s deep understanding of impressionist music, impressionist music has been gradually accepted by people, and a growing number of Chinese pianoworksareinfluencedbytheimpressionistmusic. Thisthesismainly took Cui Shiguang’sMountain Spring astheresearch object, andthe full text was divided intotwo chapters.The first chapter mainly overviewedtherelationship between impressionist music and Chinese music as a whole, including the development of the impressionist music and the influence of impressionist music style on the creation of Chinese piano music.The second chapter analyzed impressionist music factorsused for reference by this piano work from the perspective of Mountain Spring, and this part comprehended how Chinese piano works were committed to the fusion of national elements and western techniques of creation mainly from the perspective of music analysis and playin