贝多芬小提琴浪漫曲创作研究.pdf

摘要 摘 要 《F大调小提琴浪漫曲》和 《G大调小提琴浪漫曲》是贝多芬维也纳创作时期的作品， 此时的作曲家对作品的创作强烈突出了作曲家的个性表达，以作曲家内心情感的发挥为主 线，突破了传统意识中的只注重听者感受的表现方式。本论文在研究方法上打破了以往对 作品粗浅介绍与分析的常规套路，以作品所具有的显著特征、价值、意义为切入点，通过 音乐学分析的视角与方法，对贝多芬这两首小提琴独奏浪漫曲进行全面、深入地研究，找 出这两部作品在古典主义创作时期所具有的别出心裁的审美价值，并寻求作品中所具有的 超出传统意识的浪漫主义创作特征。论文的第一章通过文献研究法阐述了浪漫曲的形成与 发展过程，论述了浪漫曲经过三个世纪的过渡如何从声乐浪漫曲发展为器乐浪漫曲的过 程，以及器乐浪漫曲的整体发展状况。并通过对贝多芬的两部小提琴独奏浪漫曲的创作背 景的研究，加深对作品创作缘由的认知。论文的第二章通过音乐分析对贝多芬两首小提琴 独奏浪漫曲的音乐语言特征进一步挖掘，其中主要包括：曲式结构、主题、和声、调式调 性等几个方面。论文的第三章则通过跨学科研究方法的运用，研究得出两部作品超越古典 主义时期的与众不同的创作风格。 关键词：贝多芬，器乐浪漫曲，音乐分析，风格 I Abstract Abstract Violin Romance in F Major and Violin Romance in GMajor are the works of Beethoven during his Vienna creation period. During Vienna period, composers emphasize how to show their own personality by creating works and how to express the inner emotion of composers turns out to be the main tread of works. These break out the traditional expression manner in which only the feeling of listeners is concerned. This thesis abandons regular research method, that is, a brief introduction and analysis of works, and takes the distinguished features, significance andmeaning asthe entry point tomake a full and in-depth research with thehelp of musicological perspective and method. The in-depth research is to figure out the different aesthetics value of the two romances during Classicalism period and their Romanticism creation features that transcend traditional consciousness. Chapter I illustrates the formation and development ofromancethrough themethod ofliteraturereview and explainsthetransition from vocal romance to instrumental romance during three centuries.Besides,the overall development of instrumental one is discussed. The research on the creation background of Beethoven’s two violin romancescan re