关紫兰艺术创作中的东方女性意识研究.pdfVIP

摘要 摘 要 关紫兰 （1903-1985）是民国六大新女性画家中的代表性人物，她在接受了 西方的艺术观念并掌握了西方艺术的表现技法之后，以东方女性的审美视角作 为出发点，进行中西方艺术的交汇融合表现，形成独具东方审美意蕴的艺术表 现形式。关紫兰对中国油画的探索与尝试为中国早期的油画艺术指引了的新的 方向。 本文以关紫兰艺术创作中表达的东方女性意识作为切入点，以二十世纪的 五四运动时期的新文化运动和留学热潮为研究背景，阐述女性意识如何觉醒以 及东方女性意识的特点，关紫兰艺术作品中表现的东方女性意识并分析成因与 具体表现，通过作品分析进行梳理，最后总结关紫兰的艺术创作对当代油画艺 术的发展所产生的积极影响及如何在中西融合的前提下以自身视角构建起独具 中国特色的油画艺术。 关键词：关紫兰；东方女性意识；新女性画家 II 目录 目 录 第1章 绪论·······················································································1 1.1选题背景·················································································1 1.2研究目的与意义········································································3 第2章 东方女性意识···········································································5 2.1 东方女性意识觉醒的时代背景及社会因素······································5 2.2 民国六大女画家在艺术上的探索尝试············································6 第3章 关紫兰的艺术··········································································16 3.1 中西融合的绘画语言形成··························································16 3.2 东方女性视角下的作品分析·······················································17 3.2.1 静物花卉题材·································································20 3.2.2 自然风景题材·································································22 3.2.3 人物题材·······································································26 3.3 东方女性意识在关紫兰艺术创作中的体现·····································29 第4章 关紫兰及民国新女性绘画的影响与意义·········································33 4.1 画作体现的时代性与现代性·······················································33 4.2 对当代绘画的影响···································································34 4.2.1 对当代女性艺术家价值观的影响·········································34