历史与现代的交融——韩国国立现代美术馆.pdf

#1 历史与现代的交融——韩国国立现代美术馆 The Intergration of History and Modernity—The National Museum of Modern and Contemporary Art 编译：章景涵  Compiled by: Zhang Jinghan 摘要：自 1969 年开放以来，韩国国立现代美术馆 Abstract: Since its opening in 1969, the National Museum of Modern and （MMCA）立足于韩国当代艺术的历史和进步，确保了 Contemporary Art, Korea ( MMCA ) , has stood by the history and progress of Korean 其作为韩国代表性文化机构的地位。MMCA 建立了一 contemporary art, securing its footing as a cultural institution representative of Korea. 个四馆系统，系统内的四个场馆彼此有机互动 , 同时保 The MMCA has established a four-museum system within which the four venues interact 留个体特性：MMCA 德寿宫馆是一家专门从事广泛的 organically with one another while retaining their individual identities: MMCA Deoksugung 韩国现代艺术研究包括书法和文学的博物馆；MMCA as a museum specializing in extensive genres of Korean modern art including calligraphy 首尔馆是韩国当代艺术的代名词和最新艺术作品的中心 and literature; MMCA Seoul as the face of Korean contemporary art and a central exhibition 展览空间；MMCA 果川馆则是一个以研究和家庭为导 space for the latest artworks; MMCA Gwacheon as a research and family-oriented space 向的空间，设有一个儿童博物馆，致力于将艺术史的领 with a childrens museum dedicated to broadening the terrain of art history to the fields of 域拓宽至建筑、工艺、印刷和设计领域；而 MMCA 清 architecture, craft, print, and design; and MMCA Cheongju as a museum in charge of the 州博物馆则负责艺术品从收藏、研究到保护、展览的良 virtuous circle of artworks life from collection and research to conservation and exhibition. 性循环。美术馆致力于成为专家艺术话语的枢纽和孵化 MMCA aims to serve as the hub and incubator of artistic discourses for experts and as 器，成为植根于艺术史妙趣横生而富于意义的展览的摇 the cradle of interesting and meaningful exhibitions rooted in art history to o