人物动画的注意-你如果认为主要给我1分.doc

人物动画的注意-你要是觉得重要给我1分 （中英文合辑） 1. Animate from the inside out….not the outside in. a. The torso, how the pelvis and spine are working together to move your body. b. Define the relationship of feet to pelvis and torso i. Where is the weight? ii. Is there balance? c. Arms, necks, fingers and toes come last 1。从内至外做动画。。。，而不是由外而内。 a。躯干，骨盆和脊柱是怎样协同工作来移动你的身体的。 b。定义脚与骨盆脊柱的关系。 i。重量落在哪里？ ii。它是否平衡？ c。手臂，脖子，手指和脚趾最后弄。 2. Don’t get overwhelmed by all the limbs and appendages….it’s a bouncing ball. a. Arcs………everything organic moves in curves, robots move in straight lines. i. Pick a point on the body, or a locator and track it’s motion with an expo marker. See what shape arc you are making. b. Timing……what part starts moving first and what is the last thing to get there? i. Give the eye enough time to see a pose, or an action. If you have two Objects touchingone another- 1 frame is not enough time to see it. ii. Pauses are as important as the action. The contrast between them is what Makes each work iii. Rhythm. Bad pop music is repetitive and everything happens on the beat. Jazz music has melody but also has off-beats and departures. c. Spacing……determines your slow-ins and slow-outs and your timing i. Favor a pose ii. How quickly do you want it to move from pose A to pose B iii. Cartoony animation vs. Realistic animation. A lot is determined byboth timing and spacing. Snappy vs. flowing. 2。不要被四肢和附属的肢体迷惑了双眼。。。，那只是一个跳跃的球罢了。 a。弧线。。。任何有机的东西的运动都呈弧线，机器人以直线运动。 i。选取身上的一个点，或者一个locator，然后标记出它的轨迹，看看你做出了什么形状的弧线。 b。Timing。。。哪部分先动，哪些后到达那个地方呢？ i。给眼睛足够的时间来看清楚pose，或者一个动作。如果你让两个物体互相接触----1帧不足以看清楚。 ii。暂停与动作一样重要。它们之间产生的对比让它俩每个都管用。 iii。节奏。糟糕的流行音乐是这样的代表，每样东西都发生在节拍上。 爵士乐有悦耳的音调，但是也有弱拍和departures。 c。Spacing。。。决定了你的slow-in和slow-out还有你的timing i。选定一个pose ii。你想要它从poseA多快运动到poseB iii。卡通动画VS写实动画。很大程度上是又彼此的timing和spacing决定。从而产生干脆VS流畅。 3. Overlap and Follow-through. Flow fromone pose to the next. a. Each part of an arm, leg or torso doesn’t move at the same time. b. Decide where the energy or need for the mov