nietzsche aesthetics of music and image（尼采美学的音乐和图片）.docVIP

Nietzsche aesthetics of music and image A well-known music “materials” are non-material, Therefore, it is a natural anti-conceptual to conceptual characteristics, image means that the concept of Representational, therefore, have a rational connotation and , music and image for existence in time and space is not the same note in the passage of time have been presented, and Graphic Arts condensation in space, most philosophers is starting from these two angles will both be seen as opposites areas, and then the music as a liberation to get rid of the visual concept. This passive vision in any one case, an area of #8203;#8203;just changing the color of the fact that, while the concept of visual experience is the image of passive material entity of the proposed process philosophy of Alfred North Whitehead spatial attributes in this vision, the existence of the world is a sacrificial object in the visual, and become the image. Music can get rid of the constraints of space and visual, and the presence of music become a never be able to complete it is always in search of endless career. {1} Spengler also found that, in his opinion, the music is different from all other art, it means is located in the long (outside of the visual world and the whole world the light of the world co-exist, so Only music can make us leave the (visual world, and crushed the light (visual domination ruthless violence, and make our delusion that we are approaching the final secret of the mind “, and” Music for us has indescribable beauty and power of true liberation is this “{2}. Schopenhauer starting from the ontological sense to discuss the music with the unique nature and origin he thinks all other arts are just facsimiles of the phenomenon, and the music is a direct portrayal of the will, therefore, not music embodied world physical nature, but a metaphysical nature, for Schopenhauer is concerned, the “real” world is “concrete music” sound picture image vision with real m