斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题——以c大调奏鸣曲 e大调奏鸣曲 d小调奏鸣曲为例-several problems that should be paid attention to in the performance of scarlatti sonata in keyboard accordion - taking sonata in c major, sonata in e major, sonata in d mi.docxVIP

硕士学位论文M.D.Thesis斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题——以C大调奏鸣曲、E大调奏鸣曲、d小调奏鸣曲为例SeveralSignificantPointsinAccordionPerformanceofScarlattiSonatas:TakingSonatasCMajor,EMajorandDMinorasExemplification邵悦冰ShaoYuebing目录独创性声明....................................................................................................................I摘要...........................................................................................................................IIAbstract......................................................................................................................III绪论............................................................................................................................1（一）选题的目的与意义.....................................................................................1（二）相关研究状况综述.....................................................................................2（三）研究的方法及意欲创新之处.....................................................................5一、斯卡拉蒂生平简介及其奏鸣曲的创作风格........................................................6（一）斯卡拉蒂生平简介.....................................................................................6（二）斯卡拉蒂奏鸣曲的创作风格.....................................................................71、奏鸣曲的创作背景....................................................................................72、奏鸣曲的风格分类....................................................................................73、奏鸣曲的风格特征..................................................................................11二、三首斯卡拉蒂手风琴奏鸣曲音乐分析..............................................................14三、斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题..............................21（一）音乐风格的把握.......................................................................................21（二）风箱气息的掌控.......................................................................................22（三）触键类别的划分.......................................................................................25（四）装饰音演奏的特性...........................