“下江派”东北大鼓的音乐创新可行性思考-艺术学理论专业论文.docxVIP

万方数据 万方数据 A Thesis Submitted for the Degree of Master THE FEASIBILITY OF MUSIC INNOVATION THINGKING FOR “XIAJIANGPAI” OF DOBEIDAGU Candidate ：WeiQingYang Supervisor ：MaWeiXing Professor Speciality ：Art Theory Date of Defence ：2013 June Degree-Conferring-Institution ：Harbin Normal University 万方数据 万方数据 目 录 目 录 HYPERLINK \l _bookmark0 摘要 ................................................................................................................................... I HYPERLINK \l _bookmark1 Abstract ...........................................................................................................................II HYPERLINK \l _bookmark2 绪论 .................................................................................................................................. 1 HYPERLINK \l _bookmark3 第一章 东北大鼓 .......................................................................................................... 4 HYPERLINK \l _bookmark4 一、东北大鼓的历史渊源与流派 ........................................................................... 4 HYPERLINK \l _bookmark5 二、松花江下游的的东北大鼓艺术 ....................................................................... 6 HYPERLINK \l _bookmark6 第二章 “下江派”东北大鼓的音乐特征....................................................................... 8 HYPERLINK \l _bookmark7 一、旋律差异性与和声同一性 ............................................................................... 8 HYPERLINK \l _bookmark8 二、音色符号性与力度多变性 ............................................................................... 8 HYPERLINK \l _bookmark9 三、节奏开放性与结构封闭性 ............................................................................... 9 HYPERLINK \l _bookmark10 （一）音随字走、按字行腔 ............................................................................ 9 HYPERLINK \l _bookmark11 （二）轻重缓急、抑扬顿挫 .......................................................................... 10 HYPERLINK \l _bookmark12 四、民族调式性与对称循环性 ............................................................................