“实现感觉”的绘画方式——谈西方现当代绘画中的写生性美术学专业论文.docxVIP

“实现感觉 ”的绘画方式 ——谈西方现当代绘画中的写生性 摘 要 “实现感觉”的写生，是西方现代艺术之父塞尚所提出的关于绘画 境界的一个概念。结全自己写生实践中的困惑，本文旨在研究现当代写 生绘画的特点，希望对当下的写生教学有实际意义。 本文的第一部分以写生在西方绘画中的嬗变为题，讨论西方绘画中 写生方式与研究角度的不断变化。第二部分是本文的重点，从介绍分析 现当代几位写生画家（保罗·塞尚、艾伯托·贾科梅蒂、鲁西安·弗洛 伊德、阿维克多·阿里卡）作品、观点、图式入手，深层揭示个人“感 觉”的强调是现下写生绘画的特点。第三部分结合当下面临的实际情况， 讨论在实际上我们在写生实践中可能缺失的重要部分，以及由此引发的 弊病。 总的来说，本文以探讨写生的绘画方式为内容，从具体画家作品分 析入手，结合当下我们实践中的困惑，探讨“实现感觉”的绘画方式—— 写生这一手段的直接性和意义。 关键词：实现感觉；写生；塞尚；贾科梅蒂；弗洛伊德；阿里卡 The Painting Approach of realizing senses —— on sketch phenomenon in western modern and contemporary age Abstract “The sketch of realizing senses” is a concept in painting that is proposed by Cezanne the father of Western modern art. Unifying my confusion in the sketch practice, this article is for the purpose of studying the character of modern and contempt sketch practice, hoping that it has the practical significance to the sketch teaching. In this article the first part takes the Western drawing evolution as a topic, discusses the unceasing change in the way of sketch and the angle of study. The second part is the key point, it promulgate deeply that emphasizing one’s “feeling” is character of sketch paining, from introducing and anglicizing the generation of several sketch painters’ (Paulo·Cezanne, Alber holds·Jia Kemei the peduncle, Lu Xi’an·Floyd, a Avey gram·Arica) work, viewpoint, scheme, promulgates deeply that is the character of sketch painting by emphasizing one’s “feeling”. The third part, combining the actual situation, discusses the important part that may be missed in the sketch practice, and evil this brings. In all, the text discussing the sketch painting way as content takes, from anglicizing concrete painter, discusses the straight character and significance of “realizing senses” painting approach —sketch. Key word: Realizing sense; Sketch; Cezanne; Giacometti; Freud; Arikha 目 录 引 言 1 一、西方绘画中“写生”方式的嬗变 2 二、笃信写生方式的西方现当代画家 4 （一）“实现感觉”的塞尚 5 （二）强调“当前”的贾科梅蒂 9 （三）诠释“精神”的弗洛伊德 12 （四）视觉“移写”的阿里卡 15 三、对当下艺术情状的思考 17 注 释 20 参 考 文 献