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《北洋画报》:中国服饰的时尚审美(1926年~1937年)-文艺学;比较文艺学专业论文
暨
暨南大学硕士生论文 《北洋画报》:中国服饰的现代时尚审美
II
II
Abstract
The Pei-Yang Pictorial News, a very famous pictorial of the early 20th century in china, is the study object of the paper. We can see the view of modern Chinese history form the paper as a window .
This paper attempts to analysis and research the movie star ,socialite lady , clothing advertising, fashion design drawing , fashion apparel clothing comments and many other aspects of content of The Pei-Yang Pictorial News, show or restore early 20th century Chinese people costumes aesthetic blend of Eastern and Western cultures collide and change .
This paper experienced a historical track of generation - development -prosperity - debilitating .The purpose of the pictorial is: spread the new current affairs ,advocating new art , instilling new knowledge . and a multi- Journal newspaper , female perspective , Guangdong concern is its specialty lies. Through the paper we can get the idea came to realize that Western aesthetic difference values, consumer attitudes . Under the impact of Western culture, as well as Chinas modernization process, the Chinese people s aesthetic values and consumer attitudes change occurred in varying degrees , but still maintained a traditional and national characteristics .In the early Republic of China, the improved Hanfu, clipping decently cheongsam and dress with lace, have been accepted by Chinese people gradually. In other words, the conflicts between Western popular fashion and Chinese traditional costume which created the costume not only with the characteristics of modernity but also with the nationality, cheongsam and Chinese tunic suit were the typical representatives.Early 20th century the rise of the modern consumer attitudes , dress as a commodity has been widely spread through image promotion. This exclusive modern fashion term is gradually coming into view , and generates a group of fashion pioneer . In the world trend of feminism , the Chinese women gradually show out of the new ima
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