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剧本19791989研究——以话剧作品为中心-a study of the script 19791989 - centered on drama works
《剧本)) (1979 1989) 研究
一一…以话剧作品为中心
中国现当代文学专业
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Y丁 875000
研究生:冯鑫
指导教师:曹万生
摘要: 1979 年复刊的《剧本)),是中国当代戏剧文学中出现的为数不多的
专垃于戏剧文学剧本的刊物,其中又以刊登话剧作品为主。 1979 年-1989 年是 话刷发展的黄金年代,许多话剧作品应运而生。这其中有紧跟时事政治步伐的 战斗传统剧,又有在创作环境宽松时出现的创新之作,它们试图抛开政泊对
话剧创作的束缚,遵循话剧自身的发展规律和艺术追求。在西方思潮的影响下, 部分剧作家勇敢地将各种西方现代派艺术融合到传统的话剧创作中,使剧坛焕 然一新。本文采用内容与形式相结合的研究方沽,对这蜡话剧作品进行深入剖 析。
具体说来,本文分为四个部分。第一章梳理《剧本)) (1979-1989)中占交流 的战斗传统剧的发展演变情况。一朋整理出各个时段话剧创作主题的变化, 看政治对话剧创作的影响;一丽对当时出现的一蜡重要作品做深入分析。第一 章则研究那些有别于战斗传统剧的话剧作品,从越材的多样化选取和艺术手
、法革新两方面着手,看它与战斗传统剧的区别。第二章则关注当时在《剧本》 中引起大讨论的三个话题和几个相关剧本,着这蜡论争对当时的剧坛和话剧创 作产生了怎样的影响。这三次讨论分别针对沙叶新的《假如我是真的)) (又名《骗 子)))、商行僻的探索剧作和白峰溪的《明月初照人》等。第四章则是在前田三 章的分析、研究基础之上,总结出《剧本》中的话剧作品研究的意义和价值。
、
关键词:
《剧本》
话剧作品 题材
艺术形式
The research of the Script
emphasis upon drama
Major: contemporary Chinese literature
Postgraduate :fengxin Supervisor professor: Cao WanSheng Abstract:Re 咱dited in 1979,the script is one of a few Chinese contemporar
y drama literatures that appears to focus on the script of the drama literature. Betw een 1979 and 1989,it was the golden age for the development of drama,a lot of dr ama arts were bom at that time. Among all of them,there were the traditional drama of war followed the pace of politics,and also those evolutionary work whe
n allowed. They were trying to dispose the restrictíons of politics on drama arts an d following the normal development to pursue 盯怡.Under the influence ofwestem
development ,some drama writers were brave to combíne the westem contempora
ry branch of 町ts together with the traditional drama work,which made a brand ne w stage at drama arts. This essay used the search method that combine the contend and format,in order to deeply understand all of those drama work.
Specifically,this essay is divided into four parts. Part one explains the develo
pmental changes of the 咱attle of traditional drama followed by pace of politics 0 n the ‘ script from 1979 to 1989. This part also shows the changes ofthe topics
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