狼——中西文学中的隐性意象分析-wolf analysis of hidden images in chinese and western literature.docxVIP

狼——中西文学中的隐性意象分析-wolf analysis of hidden images in chinese and western literature.docx

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狼——中西文学中的隐性意象分析-wolf analysis of hidden images in chinese and western literature

[键入文 [键入文字] “狼”——中西文学中的隐性意象研究 “狼”——中西文学中的隐性意象研究 I I II II 中文摘要: 狼,对于人类来说是一种既熟悉又陌生的动物。现今的人们虽然熟悉狼的凶 恶、狡猾,却对它的情义、忠勇而感到陌生。狼从古时就与人类的生活就有着密 切的联系,无论是在神话传说之中,还是作为一些先民崇拜的图腾物,它曾经在 人类的心中占有十分重要的位置。可是随着文明的进步,人与自然关系的破裂, 狼也逐渐淡出了人类的视线。但是狼对人类的影响并没有消失,它经由神话传说 进入了文学艺术,从曾经的高高在上的狼神变为人类的公敌,狼被塑造成象征 “恶”的文学意象,它在文学艺术领域中也饱受冷落。直至今天,被遗忘在角落 的狼文学再度出现的大众视野,狼意象以新的姿态在文学艺术中找到了生存的价 值。 本论文共分为三章。第一章,分别从中西方两个文化中的神话传说和图腾文 化论述狼意象的起源,以及其在文学中的变化和消退,并做综合的比较和归纳。 第二章,从中西方近现代文学探讨狼文学的回归,并结合文本分析现当代狼意象 的象征意义。第三章论述狼文学及其核心精神——狼性在未来的发展。 关键词:狼 狼意象 狼文学 狼性 Abstract: Wolf is an animal which is both familiar and strange for human. At the present day, people are familiar with the Wolfs evil, cunning, but they feel strange about its fidelity, brave. However, Wolf was closely related to ancient human’s life, whether in myths and legends, or as a totem worshiped by some of the ancient tribes. So it used to occupy a very important position in human’s heart. But with the progress of civilization, the relation between man and nature was broken, and the Wolf also gradually faded out of sight of people. But the Wolfs influence on the human did not disappear; it went into literature and art by way of myths and legends. From the beginning, wolf was a god with great reputation in stories, and then it became the enemy of human. The Wolf had been established into literary imagery as a symbol of evil, and neglected in the field of literature and art. Until today, the Wolf literature returns from the forgotten corner and catches the eyes of public again. The Wolf image found its value of the survival in literature and art with new symbolism. The thesis is divided into three chapters totally. The first chapter which discusses the origin of the Wolf image both in Chinese and western myths and legends of the two cultures and totem culture, and also its change and subsidence in the literature, then make a comprehensive comparison and generalization. The second chapter is a discussion about Wolf literature’s resurrection in the Chinese and wes

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