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动画剧本中剧情设计探析——以《高达》为个案研究-戏剧与影视学专业论文
Animation script Drama and Design
– GUNDAM as a case study
ABSTRACT
With the rapid development of a large influx of foreign cartoons outstanding and a market economy , more and more audience attracted by foreign cartoons causing the domestic animation industry development difficult . Familiar to everyone, the One Piece , Slam Dunk Naruto , sunspot basketball and so on. Of course, there are the recent domestic long-awaited , more disappointing domestic animated film Quebec pull , but the general reaction Feedback mediocre . Which fundamental reason is that not enough exciting designs on animation script and story design arrangements. Stories told in the end is his own story ? Or the story of the target audience group need ? This is a need to think about. Japans famous film artist Akira Kurosawa once said left a film almost fate be decided by the script . Thus, the script writing level of quality is the key to the success of the film , this truth applies equally to cartoon creation. Cartoon animation script is the soul of design , the story is good or bad animation script directly affects the final animation rendering . First point of interest because the audience is the story .
GUNDAM as a highly controversial , mixed , a full 30 years of the classic fire commercial animation , its inherent drama to a certain point there is a lot of learning and learning. On the current domestic animation point of view, than it did before a modicum of success , we have to break through the technical barriers audio-visual effects , but also to achieve a high level of self- produced original animation , and even some animation effects can be beauty in the whole Japanese animation comparable. Have appeared , Quebec pull bold attempt Tibetan Mastiff Dorje
III
outstanding domestic animation films. But even so, the domestic animation is difficult to scale and climate . Through the United States and Japan and other outstanding animation analysis we find that the re
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