对吐尔地·阿洪演唱版《恰尔尕木卡姆》的记谱研究-音乐学专业论文.docxVIP

新疆师范大学硕士学位论文 新疆师范大学硕士学位论文 - - PAGE 1 - 中文摘要 作为维吾尔族宝贵文化遗产的《十二木卡姆》，其保护与传承正面临着 危机，尤其是在《中国新疆维吾尔木卡姆艺术》成功申报为“人类口头和 非物质遗产代表作”的今天，如何做好保护与传承工作成了摆在我们面前 亟待解决的重要课题。吐尔地·阿洪演唱的《十二木卡姆》作为我国最早 的、原生形态的录音，虽然经过 50 年代的记谱整理，但仍存在一些问题， 从而对进一步的研究与学习都造成了一定的影响。而一个音谱同步、词曲 同步、经过科学验证、且能反映当前木卡姆研究水平与原始风貌的吐尔 地·阿洪版《十二木卡姆》的曲谱正是许多木卡姆研究者所共同期待的。 本文作者以吐尔地·阿洪演唱的《恰尔尕木卡姆》记谱实践为基础， 参照中外有关记谱学的学术成果，就如何利用现代计算机技术为辅助，解 决影响记谱质量的两个关键性问题——音高与节奏记录中所遇到的难点问 题进行了深入的探讨，并提出一些可供操作的具体方法。 文章共分三个部分，在第一部分着重介绍了记谱与记谱法。在第二部 分对记谱中的一些问题进行了探讨。第三部分通过计算机软件对记谱中的 音高与节奏的问题进行了试验性的分析。在本次记谱实践中，作者力求使 所记录的乐谱能够充分展示《恰尔尕木卡姆》的独特神韵，同时希望本文 的研究能对将来维吾尔木卡姆的记谱工作提供一些有益的参考与帮助。 关键词：木卡姆 恰尔尕木卡姆 记谱法 记谱 计算机软件 Abstract Uygur twelve muqum took the Uygur national minority precious cultural heritage, its protection and the inheritance is facing the huge crisis. Today, how completes the protection and the inheritance also suspends the important topic which urgently awaits in front of us to be solved. Uygur twelve muqum which turdi ahong performanced as the earliest and the original sound recording in our country, although passes through for the 1950s to record the transcription. But exists some questions have all had the certain influence to the further research and study. A recording and music scores synchronization, music scores and poem synchronization, after the science confirmation, also can reflect current muqum studies level and the primitive style of Turdi ahong’s recording of music scores is precisely many muqum researcher anticipated. This article is based on transcription of Chargah muqum’s recording by turdi ahong performanced. Studied massive academic achievement related to transcription, unifies the author’s experience of reanscription. The author discussed the solution of two crucial questions the pitch and the rhythm which influenced the transcription quality by modern computer technology,and proposed some concrete method that might supply the operation. The article altogether divides three parts, the first part introduced in notation and transcri