从格式塔意象再造的角度探讨中国古诗词英译的意境再现-英语语言文学专业论文.docxVIP

电Faa阳 电F aa 阳 ， 其次，本文从英学特质和结构两个方面分析了格式培意象与 意境之间的密切关系.基于格式塔意象再造模式，本文提出了古 诗英译中靠墙再现的模式，从而为意境再现的翻译实践提供·叫定 的理论指导。再次，本文应用所提出的意境再现的模式并结合译 者的主体性探讨了两种意境的翻译方法.最后，本文分衍了译者 在意境再现过程中的主体作用.意境再现相当于是一种再创造过 程.其再创造性体现在两个方面 z 译者对原诗意境的整体审美窟 象在其头脑中的意念构建:译者翻译意境时的一种文字艺术表现 力. 关键词z 格式培意象再造理论 古诗词英译 意境再现 意境再现模式 译者主体性 A Study on the Reproduction of Artistic Conception In the Translation of Classical Chinese Poetrγfrom ‘ the Perspective of Image-G Actualization . Abstract MA Candidate: He Li Adviωr: XiaZheng This paper 叩plies image-G ac阳aliz翩。阳就ud抖ng 由e r叩roduc耐。nofar伽tic conception in classical Chinese p仰伎ysoωω 侃侃伽.e usabi1ity of 伽e 由eory. Thetb时町 of image-G ac阳alization is proposed firstly by Profiωsor Jiang Qiux姐姐 her book Aesthetic Progr创sion in Literary Translation: lmage-G ?ctualization. Some basic points of 伽由ωry 阳.clude: (1)image-ges创t is a holistic image，which is a universal 伊叩耐 ωosisting 恒 a 1iterary text; (2) each imagegestalt has its gω阳lt 啡时i凯 whichis not 由.e mere sum of language componen恼， but t 伽 m臼gra时on of language，image，m佣ning and 柑刷刷， possessing 伽 holistic f栩栩re of artistic works; (3) any image-G bas a same 如阳nal 耐ucmre，由at is，scen脯-and-frames; 但) suωess如1 literary translation resides in successful image-G actualization from 伽e perspective of aesthetics; (5) a literary 阳nslation model on the basis of image-G actualization consists of the following two phases: ∞mprehension of the original text-a mental actualization of image. G; recreation of the ta昭et 阳xt aVI町bal actualization of image-G h伽e 忧anslati佣 of classical Chinese p侃盯 artistic conc叩tion r叩roduction is an important and difficult fieldωbe explored. The impo此ance derived 企om 由e fact 由at 町tistic ∞nωption is the essence and soul ofp伺盯 and the diffic叫.ties arise from the complexity of its connotati侃. 80 也扭曲。sis firstly probes inω 也e ∞nnotation and featurωof artistic conc叩tion， poin伽g out artisticωnception resides in the holis挝c sum of the artistic images charac