中国画工笔人物线条在不同题材中的运用与分析.docVIP

上海师范大学学位论文 中文摘要 摘要 传统中国人物画是中国画中最早出现的画种，其发展历经千年，漫长的 演变与发展中有其独特的以线造型特征。而人物画恰恰是通过其线条的圆润， 沉稳，细腻，稚拙，长短，粗细，刚柔，徐疾，顺逆，虚实，墨色的浓焦， 淡轻，来传达出不同的人物造型特征和逼真的人物形象。历代人物画线描也 是不断的学习前人优秀作品，不断补充，不断完善的基础上发展起来，从魏 晋时期的顾恺之在春蚕吐丝描的基础上创造了高古游丝描，阎立本在绘画上 继承南北朝的优秀传统，吸收和发展，创造了铁线描，吴道子所绘人物善用 状如兰叶之线条，李公麟线条健拔被称作白描大师，这些都是各个时代的光 辉。随着时代的演进，中国人物线描创造性的继承传统，不断总结发展，从 传统文化当中汲取营养，取神得形，以线立形，以形达意，尽其精微。在当 代新的绘画观念也不断产生，新的画风画派也不断涌现，形成了一个多元的 局面，这也将传统工笔绘画发展成为当今多元化的繁荣景象。本文通过相关 图片及书籍资料的收集，查阅和工笔人物线描在自我创作和临摹的实践体会 对中国人物线描的质感和运用有了更深入的认识和介绍。 关键词： 人物 线条 传承 融合 质感 论文类型：C 应用研究 I 万方数据 上海师范大学学位论文 英文摘要 Abstract Traditional Chinese painting figure painting is the earliest type of Chinese painting, its development after one thousand years, long evolution and development has its unique modelling characteristic in line. And fine brushwork figure painting is precisely through its line round, composed, delicate, plain, length, thickness, and soft, xu disease, good or poor, false or true, gradation of coke, pale light, to convey the different character modelling characteristics and lifelike characters. Past dynasties are also constantly learning predecessors excellent works fine brushwork figure painting line, constantly supplement and developed on the basis of constantly improve, from the period of wei and jin dynasty gu kaizhi in silkworm spinning tracing created on the basis of ancient balance spring stroke, has in painting inherit the fine tradition of northern and southern dynasties, absorption and development, created the iron line, to use wu daoxuan painted figures, like orchid leaves the line, li kung-lin line health master called lyrics, pull all of these are all times. As the evolution of The Times, the tradition of creative character of Chinese traditional Chinese realistic painting line, summarizes the development unceasingly, derive the nutrition from the traditional culture, take god, taking the line set, in shape, its subtle. In contemporary also constantly produce new painting ideas, new style school are constantly emerging