从莱奥纳多手稿论作为方法的素描图像与媒体专业论文.docxVIP

中国美术学院专业教学基础部蒋安琪从莱奥纳多手稿论作为方法的素捕英文摘要 中国美术学院专业教学基础部蒋安琪从莱奥纳多手稿论作为方法的素捕 英文摘要 As the concept ofthe Renaissance--disegno carl be summed up into three points．First，disegno is the source of three arts，Painting，Sculpture，and Architecture．Second，it is also some kind ofrational cognition，a general judgement to acquire，a form or an idea about all over the nature，and spiritual of represented characters and objects．Third，it is not only some rational cognition or forms and ideas， but something depended on materials and technique，only by these can it be represented perfectly．At one side，disegno marks the breakdown of the art concept before the Renaissance．At the other side。it lays the foundation for the formation of the fine art concept as well． In the framework of disegno，drawing in the Renaissance was an important way of thinking and methodology of an artist．It became working path in which artists did the research，organized their thoughts，expressed the ideas，and be the attitude of their viewing the world and the corresponding world outlook．By the studies of some manuscripts of Leonardo da Vinci，I try to find，as the framework，the concept of disegno which playing role at the back．Take the drawing as a clue．1 want to rediscuss the connotation of disegno，and the significance in all creation today,and reflect the teaching of drawing nowadays． Keywords：disegno，drawing，idea，Leonardo da Vinci，the Renaissance 2 万方数据 国荚术学院专、Ik教学荩fif}：部蒋安琪从莱奥纳多手稿论作为办法的素描引言 国荚术学院专、Ik教学荩fif}：部蒋安琪从莱奥纳多手稿论作为办法的素描 引言 “素描”在文艺复兴时期“disegno”的理念框架-I，是艺术家重要的思考方式 与研究方式，是研究事物、整理思路、表达想法的开放路径，也是艺术家观看世 界的态度与对应的世界观。在当今的艺术教育体系一I·，“素描”作为‘切古典造 型艺术的基础米培养未米艺术T作者的感受力、把握形象的准确性，以及画面构 幽、表现语言等相关控制力。与之相比，文艺复兴素描在当时的作用与意义似乎 与当下有所不同。文章通过研究达芬奇手稿，去触碰“素描”这种艺术形式产 生的源头和它背后的理念框架，南此寻找对当下素描工作的积极意义。 第一章莱奥纳多与文艺复兴 1．1达·芬奇桥 图卜1足一张莱奥纳多·达·芬奇的手稿， 绘丁．1502年。这是他为伊斯坦布尔鄂图曼苏丹巴 耶塞特二世的土木上程专案绘制的单一跨距达240 米的桥梁草图，旨在跨越博斯普鲁斯海峡口的金角 一 湾。但最后因苏丹断言此方案无法实施而被搁浅 了，这样的跨距对于16世纪的人们来说简直无法 想象。直到公元2001年，基于这张素描草图，威 出螋婵。：罚彤 卜琼·山得达·芬奇专案让此桥以小桥的形式在挪 威付诸实践。5年后，土耳其政府最终决定在金角 湾实地建设这座桥，取名