新诗戏剧化的理论建构及其诗学实践——以九叶诗人为中心的考察中国现当代文学专业论文.docxVIP

ABSTRACTSince ABSTRACT Since the beginning of May 4m New Culture Movement，the theory advocation of modem poetry have never ceased．The development of modem poetry has been greatly influenced by confrontations between ancient language and modem language，flee verse or rhythmic poem in style，as well as the debates on origin from China or West．Under evolution of destruction and construction，during creation and theories mutually promoting in hard but glorious thirty years，modem poems expand and change all the way,leaving numerous and precious · collections of poetry,whose theoretical construction is also remarkable． From Hu Shi holding‘‘Imagism’’in the inception of New Culture Movement，to Yuan Kej ia explicitly proposing“dramatization of new poetry’in the 1 940s，these facts all justify their intelligence and industry． As the main approach of realizing Yuan Kej ia’S‘‘modernization of new poetry’，“dramatization of new poetry’’is a typical poetic theory in terms of methodological meaning；And as the main method of changing existential experience(e．g．willpower and emotion)into poetical experience，it creates“inclusive poem’with a strong theoretical quality in the way of embodiment．The article is just under the kind of cognition， putting it into the view of“modemization of new poetry’to get studied． Not only does the article take notice of the unique character of theory in II itself,based itself,based on theory,exploring the value and essence of poetry,but also it cherishes to pursue the‘‘statue”origin between China and the West， tradition and modem，realizes horizontally and vertically bilateral or multi—layered observation．Meanwhile，it doesn’t fail to analyze typical works，thus grasping the core spirit of the theory and conveying the concrete poetic conception，and finally makes the two verify mutually． ：Modernization of New poetry；dramatization of new poetry； Jiuye Poets；modem poetry m 目 目 录 摘要 I ABSTRACT ·II 引言：“综合”与“平衡——一种新的身份意识 1 1．大背景：“新诗现代化”视域下的“新诗戏剧化”理论 ·6 1．1“新诗现代