皎然意境理论浅议-古代文学专业论文.docxVIP

万方数据 万方数据 皎然意境理论浅议 中文摘要 皎然《诗式》意境理论作为中国古典文艺美学中的核心理论，在产生发展 的过程中，受到了儒家、释家、道家三家思想的交错影响和推动，随着历代诗 歌创作经验的积累而逐步形成。“意境”用于文学批评领域开始于唐代的诗论创 作中。盛唐诗人王昌龄的《诗格》首次提到了“意境”，后至中唐时期诗僧皎然 将之发展为意、境相融合的“意境”说，在理论建构上取得了重大进展。本文 从皎然诗论著作《诗式》、《诗议》入手，探讨皎然思想中的意境理论。 论文主要分为三个部分论述。第一部分主要是对意境理论溯源，明确意境 理论的概念，主要是指作者的主观情感和客观的物境相互交融而形成的意蕴或 形象。接着论述了在皎然之前，各位文人对意境理论已做的贡献，皎然成长的 环境、所受影响，总结其意境理论形成的背景。 第二部分主要是对意境理论进行了详细分析，从皎然之“意”、皎然之“境”、 皎然意境理论的审美内涵来分析，其中皎然之“境”又细分为“缘境”、“取境”、 “造境”三部分进行详细解释。 第三部分主要论述的是皎然意境理论中的“文外之旨”与“以禅喻诗”对 后世司空图、严羽等的影响，认为皎然的“意境”理论不仅影响了中唐以后的 诗歌创作和诗歌理论的发展，同时给中国当代美学发展和艺术理论的建构提供 了重要的理论资源。 关键词：皎然意境，缘境，取境，造境，文外之旨，以禅喻诗 I Abstract “Yijing” theory is the core theory of Chinese classical aesthetics ,in the development ,it was affected and drove by the influence of Confucianism, Buddhism and Taoism ,and formatted by the accumulated experiences of Poetry creation .Using “Yijing” theory in literary criticism began from Poetry theory in Tang Dynasty .The Tang Dynasty poet Wang Changling mentioned it first in Shi Ge .In the middle of Tang Dynasty ,the monk poet Jiaoran made a significant pro gress in developing “Yijing” theory with the combination of “Yi” theory and “Jing” theory .This paper analyze Jiaoran’s “Yijing” Theory from his Shi Shi and Shi yi. This paper is mainly divided into three parts to discuss. The first part is mainly on the theory of artistic conception of artistic conception theory, clear concept, mainly refers to the authors subjective emotion and objective environmental interaction and the formation of meaning or image .And then discussed in Jiao ran before, all scholars on artistic conception theory has been done by Jiao ran, growing environment, have affected its artistic conception theory, summarize the formation background. The second part is mainly on the theory of artistic conception are analyzed in detail, from the “Yi” of Jiao ran, from the “Jing” of Jiaoran, Jiao Rans artistic conception theory to analysis of the aesthetic connotation of Jiao ran, wherein the “Jing” is subdivided in