绘画视野中的庄子艺术精神-中国古代文学专业论文.docxVIP

Abstract Zhuangzi inherited and developed Laozis theory. In the process of understanding of Tao,Zhuangzi made Tao shows the meaning of life cultivation. Tao is a kind of the highest state of life, and the noble sentiment of life. And this is the state of art. So Zhuangzi’s Tao is the spirit of art to a certain extent “Beauty” “game” “useless” Constitute the essence of Zhuangzi’s art spirit. These are contained in Zhuangzi’s understanding of nature, theory of “Tao” and technology, form and spirit. Zhuangzi’s art spirit is not Is not a speculation. It is reflected in the ancient Chinese painting. And by ancient Chinese painting, we can find Zhuangzi’s unique understanding of art spirit. We can explore Zhuangzi’ art spirit from three aspects by ancient Chinese painting, such as the spirit of the ideal, the creative practice, and the aesthetic style. These three aspects respectively reflect Zhuangzi’s understanding of nature, theory of “Tao” and technology, form and spirit. The first three aspects constitute the psychological premise, the creative practice and the aesthetic criticism of painting. And the last three aspects Constitute Zhuangzi’s art spirit. The combination of ancient Chinese painting and Zhuangzi’s art spirit reflects the unique qualities of ancient Chinese painting. And it provides guidance for the modern and future art. Keywords: painting； art spirit ；Understanding of nature ；Theory of “Tao” and technology ；Theory of form and spirit 目录 绪论 1 第一节 论文研究综述及意义 1 一、关于《庄子》历代注释、校勘情况 1 二、关于庄子美学、艺术精神研究情况 2 三、关于中国古代画论的研究情况 3 第二节 庄子与艺术 6 第三节 庄子艺术精神的实质 9 一、庄子论“美” 10 二、庄子论“游” 10 三、庄子论“无用”与“和” 13 第四节 绘画体现庄子艺术精神 14 一、精神理想方面 14 二、创作实践方面 15 三、审美风格方面 16 第一章 庄子自然之道与中国古代绘画18 第一节 庄子肯定“自然”与中国古代绘画 18 一、庄子从三个方面肯定“自然” 19 二、中国古代绘画之“逸格” 23 三、中国古代绘画之“畅神” 25 第二节 庄子论“淡”与中国古代绘画 28 一、庄子论“淡”两个维度 29 二、中国古代绘画的水墨意趣 31 三、中国古代绘画的崇淡情怀 35 第三节 庄子“游无穷”与中国古代绘画 37 一、庄子对有限时空的超然 38 二、中国古代绘画之“远” 39 第二章 庄子道技理论与中国古代绘画43 第一节 “游刃有余”与中国古代绘画 43 一、“游刃有余”是庄子道技关系论的前提 44 二、中国古代绘画之“熟”与“生” 45 第二节 “依乎天理”与中国古代绘画