论徐渭狂性美学-中国语言文学;文艺学专业论文.docxVIP

摘 摘 要 本文是对明代嘉靖、万历年间著名的艺术家——徐渭进行的研究。早年亲人 皆逝、科举八不一售、中年杀妻下狱和之后多次自残，徐渭复杂的一生留给了后 人说不尽的话题。然而在几乎所有的议论与争吵中，人们从不怀疑他是一位彻头 彻尾的狂人：椎击肾囊、撞钉入耳的残忍行径可见其病理之狂；“疏纵不为儒缚”、 “显者至门、皆拒不纳的品性可见其个性之狂。 论文围绕着徐渭之狂，探讨其与美学之关系。徐渭之狂是对自己命运悖论的 抗争，是寻求生命知音的美学路径，它时而表现为感性生命里超越伦常道德、偏 执于自我的个性，时而表现为生命力积涨、精神过渡外溢的病态，在其艺术创作 里，个性之狂与病理之狂交织缠绕，不断冲击着传统美学的范式，也触发了我们 对徐渭“为何狂”、“怎样狂’’、“狂的意义等问题的思考。 第一章探讨徐渭“为何狂。无比凄苦的人生遭际是其致狂的现实原因；而 爱的缺失与自卑心态则是产生病理之狂的心理原因；庄子和王阳明等人的学说也 是影响着徐渭狂性的原因之一。 第二章从徐渭的艺术作品入手，探讨徐渭“怎样狂。“冷水浇背、陡然一惊， 徐渭用虐待肉身的方式寻求着审美惊奇感，表现为惊狂；“人生堕地，便为情使， 徐渭以情使的姿态开启了中晚明情性革命的先声，却在伦常道德面前退缩了，陷 入了无尽的痛苦之中，表现为情狂；“杀人如麻、血溅王衣”，徐渭执迷于邪境， 却也因此可以忘却痛苦、驰骋自由之境，表现为邪狂。 第三章探讨徐渭“狂的意义。徐渭的狂性不仅是对命运悖论的有力抗争， 也是寻求生命知音的途径，他的狂性艺术极大地冲击着传统美学的范式。 第四章从创作手法、状态和成果三方面探讨徐渭的“狂性创作。徐渭常以 二元对峙的方式来表现事物间的强烈反差，以此象征自己的命运，他的创作是一 种具有巨大审美张力的抒情艺术；高亢的激情、如醉如狂的状态甚至是理性难以 控制的局面，徐渭创作时进入了高峰体验；从学习到露其笔意，再到弃去规范， 徐渭的艺术最终达到了天成之境。 关键词：徐渭狂性美学 AbstractAbstract Abstract Abstract This article mainly talks about Xuwei a well-known artist who lived in Ming dynasty from Jiajing，reign name of the l l th emperor of the Ming dynasty,to Whli， rei纳nanle of the emperor of China．His whole lire is SO complicated that we can talk about him endlessly．All his family members died when he was quite young．Sadly,he Was never able to pass the provincial civil service examinations，even after attempting it eight times．His mental imbalance led to his killing of his wife．As a result，he was jailed for seven years．In the latter part of one’S life，he tried to torture himself in extreme ways many times．However,people never doubt his madness and greatness and his genius．You Can see his mental madhess from his behavior of axing himself in the skull and drilling both of his ears．We Can see his madhess of characteristics from his artistic expressiveness and revolutionary ideas in his writing．111is paper will investigate the influence of his madheSS on his works from the aspect of aesthetics． His madness is a form of rebellion against his frustrating fate and a way to find his second self which is sometimes reflected by hi