论现代美国主流动画中的西方后殖民主义-戏剧与影视学专业论文.docxVIP

万方数据 万方数据 英文摘要 As one of the American pop culture animation, already become part of the US national strategy. In the sun of justice, the image of the modern American mainstream animated mask is given, which with its influence at home and abroad, to become one of post-colonial ideology spread specific tools to be more flexible and effective manner, and to the sew their own values and the role of the character in the animated episodes among further affect their audience, even young audiences around the world. Let the audience inadvertently by a psychological and ideological brainwashing, subtle distortion of the original value of the system, and to comply with another alien values (alienation of slavery), to achieve a kind of cultural hegemony, achieve ideological impact on the audience, deprived of their right to speak, and so the purpose of the national culture and the image of the core and a series of ethnic demonization of nature. Firstly, in order to individually analyze modern American mainstream animation as a breakthrough research, and then combined with the development process in the post-colonialism, theoretical perspectives, time sources point to the development process of the emergence of the American mainstream animation for clues, and finally from semiotics, psychology related perspective, sociology, aesthetics looking nature and characteristics of post-colonial modern American mainstream animation revealing, and produce related reasons. In this issue needs to get a rational view of the mainstream of American animation with modern Western colonialism after, both to see where their culture permeates the cultural hegemony of nature, but also to learn from their successes and animation techniques in animation focus on the level of learning. Not only do we want to actively create a positive image in the animation of the Chinese state, but also trying to find the original force of Chinese animation, and in the era of combination of the traditional and cultura