凌叔华笔下“新闺秀”形象的典型意义-中国现当代文学专业论文.docxVIP

II II 摘 要 凌叔华是“五四”时期重要女作家，她在大多数小说中成功地塑造了“新闺 秀”形象。这群“新闺秀”形象来源于新旧转型期的中国，她们代表着当时社会 大多数中上层女性的生存状态。凌叔华笔下的“新闺秀”形象具有半新半旧的时 代特征，她们是既受缚于传统文化思维惯性又受到新思想影响的女性。在“五四” 时代巨变中，她们是充满着矛盾和困惑的群体。凌叔华对“新闺秀”形象的书写 是不同于“五四”主流文学的文学创造，是独特而有意义的文学发现，因此具有 深刻的意义。本论文从细读“新闺秀”形象入手，总结处于传统和现代中的“新 闺秀”形象的总体特征，分析她们的矛盾和困境，进而总结凌叔华塑造这一形象 的价值和意义。本文共分三章。第一章主要通过“新闺秀”形象与旧式家庭、传 统文化、新思想的联系展开，概括“新闺秀”的精神追求进而全面展现“新闺秀” 形象的群体特征。第二章主要分析新旧夹缝之间的“新闺秀”形象所面对的矛盾 和困惑。第三章主要从“新闺秀”形象在现代文学中的独特性、作者的真切生命 体验与“新闺秀”形象的联系、“新闺秀”形象对现代女性的启示三方面来说明 凌叔华笔下“新闺秀”形象的书写价值。 关键字：凌叔华 新闺秀形象 群体特征 矛盾困惑 书写价值 III III Abstract Ling Shuhua is an important women writer of May Fourth period. She successfully moulds the image of new finest lady in her many novels. This group of lady images comes from transitional China. They stand for the living situation of the middle and upper female strata during that time. Lin’s images have half-old and half-new characteristics of the time. They are not only influenced by traditional culture, but also by new ideas. In great changes of May Fourth period, they are one group full of contradictions and confusion. Lin’s description about these ladies is different from the mainstream writers’ literary creation. It has deep meaning for its unique and valuable literary discovery. This paper summarizes the general characteristics of the new finest lady image on basis of image perusal. Through analysis of these persons’ contradictions and confusion, we can further affirm Lin’s creation about these images. This paper is divided into three chapters. Chapter one summarizes the new finest lady image’s mental chase and it also comprehensively display the group feature by describing the relations between the lady images and old family, traditional culture, new ideas. Chapter two mainly analyzes the contradictions and confusion of the new finest lady between new and old. Chapter three emphasizes Lin’s writing value from the following three aspects: the uniqueness of the new finest lady image in modern literature, the relation between