摄影作为现成物——以杉本博司为例-戏剧与影视学专业论文.docxVIP

四川美 四川美术学院硕士学位论文 英文摘要 PAGE III PAGE III 万方数据 Photography as Readymades —Hiroshi Sugimoto as An Example ABSTRACT Photography Since 1839 invention has been nearly 170 years of history, this combination of mechanization and technology development for todays product had a tremendous impact on society . Instead of the photographic world record emergence task originally borne by painting , this mechanical forming method capable of reducing the authenticity of the world to the maximum extent , and this is the most important feature of photography . Photography has long been regarded as a record of reality , pure photography from the early development of pictorial photography to Stiglitz , from OSullivan in remote areas of the United States to shoot ? Ansel Adams photographed Yosemite magnificent landscape, from the decisive moment to Robert Bresson ? Franks The Americans , these are all great photographers shoot through the real world and famous. With the advancement of technology, the development of photography has undergone tremendous changes, camera miniaturization allows more people to participate in this act to take pictures of them , the use of color film to break the dominance of many years since the black and white photography , the advent of digital technology is changing the direction of the history of photography . This article will be Japanese artist Hiroshi Sugimoto , for example, in his life , learning experience as the background, while comparing his work and Duchamps ready-mades works through the line , which analyzes creative motivation of Hiroshi Sugimoto and his works of photography aesthetic Significance of expansion. Hiroshi Sugimoto made in the books until the moss to grow , a book that he considered a yin and yang mechanical camera , and photography in his view, had been at the beginning of its invention in the form of ready-made art exists. In the course of photographic development, there had been the photographic image with the device combined w