论意象油画的审美取向-美术学专业论文.docxVIP

赣南师 赣南师师范学院硕士学位论文 PAGE PAGE IV Abstract At present, the research on image oil painting has become the rise, more and more oil painting artists to join in the study of imagery oil painting. This article is on the basis of predecessors thought and research, discusses the intention of the background of the painting form, mainly in imagery oil painting the aesthetic orientation of the basis points, respectively from two aspects of color, shape, etc, to research the aesthetic orientation of the image oil painting in the subject. Based on the research of the image oil painting aesthetic orientation, discusses the application of Chinese traditional aesthetic consciousness in imagery oil painting, and under the influence of Chinese traditional cultural background in imagery oil painting in the development; From the causes of different aspects of the specific studies imagery oil painting aesthetic orientation, analysis of imagery oil painting forms of diversity; The studies in imagery oil painting the aesthetic value of traditional culture and thinking of imagery oil painting aesthetic tendency. Key words: Image oil painting; Color; Modelling; Aesthetic orientation; 目录 摘要…………………………………………………………………………………Ⅱ 关键词………………………………………………………………………………Ⅱ Abstract………………………………………………………………………..….Ⅲ Key words………………………………………………………………………….Ⅲ 绪论………………………………………………………………………….…….….1 第 1 章．意象油画形成的文化背景……………………………………………2 1.1 中国传统哲学思想的影响……………………………………………………2 1.2 文人画美学思想的影响………………………………………………………3 1.3 审美情趣的影响……………………………………………………..………..4 第 2 章. 意象油画的审美取向…………………………………………………7 2.1 意象油画色彩的审美取向7 2.1.1 意象油画色彩表现的主观性……………………….……………….……..7 2.1.2 意象油画色彩表现的自由性………………………………………..……10 2.1.3 意象油画色彩表现的抒情性………………………………………..……12 2.2 意象油画造型的审美取向…………………………………………….….…14 2.2.1 借鉴中国画表现手法造型15 2.2.1.1 “留白”表现手法的运用………………………………………….…..15 2.2.1.2 “书写”表现手法的运用………………………………………..….….16 2.2.1.3 “虚实相生”造境手法的运用………………………………………..18 2.2.2 借鉴中国画用笔方式造型………………………………………,……….19 2.2.3 借鉴中国画的线、面结合方式造型………………………………………20 第 3 章. 意象油画审美趋向的思考…………………