从生态女性主义视角解读《远离尘嚣》和《边城》中的女性悲剧形象.docVIP

PAGE PAGE 24 从生态女性主义视角解读《远离尘嚣》和《边城》中的女性悲剧形象 Abstract Among numerous literary works, ancient and modern, Chinese and foreign, the unfailing theme of female tragedy has always shone in the literature history. Far from the Madding Crowd and Biancheng are both masterpieces respectively created by Thomas Hardy, a famous British writer, and Shen Congwen, a Chinese literary celebrity. In spite of the huge differences in their living eras, nationalities, and cultural backgrounds, Hardy and Shen express their deep concern about women in their works. Those women, coming from the Wessex world in Hardy’s works, and form the Western Hunan in Shen’s novels, have always been oppressed and confronted with tragic destiny in the male-oriented society. Bathsheba and Cuicui, the heroines of Far from the Madding Crowd and Biancheng respectively, are two typical tragic female images. Although they are created by different authors and even different from each other, from the perspective of ecofeminism, striking similarities between Bathsheba and Cuicui can be found out. Employing the theory of Ecofeminism, this thesis attempts to analyze the two female characters by using the comparative study method, and calls for human beings to pay more attention to female problems as well as building a more harmonious society. Keywords: ecofeminism; tragic female figures; Bathsheba; Cuicui; patriarchy 摘要 在古今中外的众多文学作品中，女性悲剧作为一个历久不衰的主题始终闪耀在文学的历史长河中。《远离尘嚣》和《边城》分别是英国著名作家托马斯·哈代和中国文学巨匠沈从文的代表之作。尽管这两位作家身处于不同的时代，来自不同的国度，且成长于迥异文化背景，但他们都通过自己的作品表达了对女性命运的深切关心。无论是哈代作品中威塞克斯世界里的新女性，还是沈从文笔下湘西世界下的脱尘女性，在以男权为中心的社会中她们都身处受压迫的地位，最终逃不过其悲剧的命运。 《远离尘嚣》和《边城》中的女主人公芭丝谢芭和翠翠是两个典型悲剧女性形象。虽然她们出自不同的作者，相互之间存在着许多差异，然而从生态女性主义视角出发，却可以看到两者间有着惊人的相似之处。本文通过比较研究的方法，借助生态女性主义理论分析研究这两位女性人物，有助于更好的揭示两位女性的悲剧命运，从而呼吁人类关注女性问题以及建立一个更加和谐的社会。 关键词：生态女性主义；女性悲剧形象；芭丝谢芭；翠翠，父权制 1 Introduction 1.1 Research Background Females, who are physically weaker than male in most situations, have long been portrayed as “second class citizens” in the society. Although our