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摘要
本文以西式写实素描的本土化进程及其所影响的现代水墨写意人物画语言衍变为主线
展开研究,而这两条相互缠绕并行的主线,所贯穿起来的近一个世纪的素描及水墨写意人物
画作品,又成为本文研究分析的主要对象。写实素描的本土化改造,无时不在影响着水墨写
意人物画的语言衍变,所以,抛开写实素描,就无从论及二十世纪乃至现下的水墨写意人物
画。本文的着眼点主要在于绘画作品本体语言的分析研究,通过对三个历史时期 (二十世纪
初至建国前、建国后至改革开放以及改革开放后至今)不同画家的代表性作品进行具体分析
与比较,缕析出一条动态的艺术发展脉络,同时,这条脉络又揭示了一种语言生成、发展的
内在规律,即每种有价值的语言生成都与当时具体时代背景密切相关。它对我们当下艺术语
言的探索与创造,有着极为重要的现实意义。本课题的研究,同样有助于现下正在进行水墨
人物画创作的实践者,对个人独特绘画语言生成的价值判断和有效把握,其中涉及到的具体
作品绘画语言层面地深入探讨,也可以为理论研究者提供一种经验参照,同样有着重要的现
实意义。
关键词:现代水墨写意人物画 写实素描 笔墨 本土化 语言衍变
Abstract
This dissertation is conducted on the basis of the localization of
the Western realistic sketch and the language evolution of the modern and current
freehand brushwork figure painting, which comes to two main threads intertwining
as well as parallel with each other, while the product of the scatches and freehand
brushwork figure painting within the recent century , wound through by the two main
threads, has become the key subject of the analysis and study. The localization
recreation of the realistic sketch influences the language evolution of the
freehand brushwork figure painting anytime, therefore, the brushwork figure
painting , no matter those in the 20th century or the current ones, would not be
discussed without mentioning the realistic sketch. The focus of this paper is
mainly to analyze and study the painting itself and draw to a sequence
order of the dynamic development of the art through the specific analysis
and comparison; while the sequence order reveals the nature of the
language generation and evolvement, that is, every meaningful language
generation is closely connected with the specific time. It is importantly
significant in reality for the present exploration and creation of the
art language.The study of this subject is also helpful and beneficial to
those who are involved in the creation and practice of brushwork figure
painting, to the va
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