牛运震和他的《金石图》──从《金石图》看石刻材料的保存、复制与传播.pdfVIP

中国美术学院—艺术人文学院— 吕燕玲—牛运震和他的《金石图》 摘要 本文试图通过了解褚峻摹图、牛运震补说的《金石图》产生的时代背景、原 因，以及《金石图》本身的体例和它所产生的影响，去发现古人在摄影术未发明 之前是如何保存、复制和传播石刻材料。古人采用椎拓的方式可以很好的再现石 刻材料的本来面貌，但是拓片的尺寸与原碑相同，要用于出版成书几乎不可能， 随着金石学的发展，从事金石学的学者和金石类的书籍越来越多，书籍出版的体 例也不断发生着变化。摹图也成为著録金石的一种方式，但是什么方式能更好的 再现碑刻材料，拉近读者与石刻的距离成为一个难题。而《金石图》首先采用微 缩拓片的方式，并佐以详尽的文字说明，在再现碑刻材料上前进了一大步。缩刻 的方式也逐渐碑后来人运用，图文并茂的方式让金石类书籍更加形象的诠释了金 石类古器物。继《金石图》之后，类似的书籍不断出现，虽然在具体实施上与她 有很大差别。总之，《金石图》开创了一个先例。 关键字： 牛运震 褚峻 传拓 金石图 缩刻 摹图 金石索 2 中国美术学院—艺术人文学院— 吕燕玲—牛运震和他的《金石图》 Abstract This dissertation attempts to study the background and causes of Jinshi Tu (The pictures of Inscriptions) as well as its style and influence, to discover how the ancient people preserve, reproduce and disseminate stone materials before the invention of photography. The ancient rubbing way could be a very good reproduction of the original stone materials. However, because of the same size of rubbing and the original monument, it was almost impossible for the publication. With the development of epigraphy, there were more and more scholars and studies in epigraphy. At the same time, the style of book publishing had been changing. Copying from rubbings had become a new way of cataloging inscriptions, but how to reproduce the inscriptions material better, to closer the distance between the reader and the stone inscriptions became a huge problem. Jinshi Tu was the first use of miniature rubbings accompanied by detailed captions, which was a big step forward in the reproduction of inscription materials. This miniature way was gradually used by posterity, the illustrated image books made the interpretation much more vivid. Following Jinshi Tu, the similar books continued to appear, although the actual implementation was very different with it. In short, Jinshi Tu set a precedent. Keywords: Niu Yunzhen, C