写意园林与写意园林画-中国画专业毕业论文.pdfVIP

figure painting, landscape painting, flower and bird painting forward; Zhang Shuxians Ming and Qing Dynasties literati garden art ( the Forbidden City Publishing House published in 2011 113 ) page 113, about the concept of landscape painting description. In this paper, the freehand landscape painting is a refinement on the basis of theory of Mr. Zheng Li s, in my three years of postgraduate study works are mostly completed by freehand painting techniques, so in this article tries to combine the practical experience, to do some theoretical exploration and try, for some. Research object and meaning The garden of Suzhou as the worlds intangible cultural heritage is the literati sages left enormous material and spiritual wealth to us, but also show a miniature of Chinese traditional aesthetic pursuit and good taste. Garden itself is a perfect work of art, but also since ancient times is an important theme of the creation of Chinese painting. By studying these two years, found in the classical gardens of Suzhou gardens as the theme, compared with the traditional landscape painting creation, it has its particularity in the creation of artistic conception and the technique of expression. Suzhou garden for more than one hundred years of vicissitudes, strolling in the garden, along the garden are carefully designed route, everywhere can feel the baptism of time while leaving the quaint atmosphere, by grinding the angle of scattered stone, dark brick seam between the thick moss, is fresh, these are created Suzhou garden the elegant and decorous construction of the unique temperament, mastermind with painstaking effort represents not only visually in the form of beauty, is the Chinese literati diligently strive after the new spiritual home. How to Chinese painting pen and ink in the form of expression of this unique elegant space, is really different people, different views. Each are not identical, in my point of view, painting in the traditi