写意花鸟画的石法分析-美术学专业毕业论文.pdfVIP

摘 要 石头作为写意花鸟画中的重要元素，有着丰富的内涵，而在国内外的相关文献中，专论花鸟画 中石法的文章还较少见。本文简要回顾了石头广泛进入花鸟画的历史，石法与中国传统文化的关联， 进而总结了宋以降花鸟画中石法的主要形式，从画家不同的生活背景入手，初步研究了其笔下石法 形成的原因。同时结合作者自身的创作体会，从创作步骤中的石法运用，石法的审美依据及创作感 悟三个方面，探讨了石头在写意花鸟画中的创作法则，藉以总结学习和创作的体会，提高掌握绘画 石头，乃至写意花鸟画的能力与水平。 关键词：石头；写意花鸟画；石法 I Abstract The stone, as an important element in the freehand style Chinese flower-and-bird paintings, has its own rich connotation. However, in the relevant literature home and aboard, not much attention has been paid to the techniques of painting stones in Chinese flower-and-bird paintings. This paper gives a brief historical overview of how stones widely came into Chinese flower-and-bird paintings, describes the correlation between the techniques of painting stones and the Chinese traditional culture, summarizes the main techniques of painting stones in the freehand style flower-and-bird paintings since the Song Dynasty, and analyzes how the techniques of painting stones are affected by the different life backgrounds of the artists. In conjunction with the author’s personal painting experience, this paper explores the techniques of painting stones in the freehand style flower-and-bird paintings from three aspects—steps of creating works, aesthetic standards and personal perception of painting stones, which aims at helping master the techniques of painting stones and thus improve the skills of freehand style flower-and-bird painting . Key words: stone, freehand style flower-and-bird painting, techniques of painting stones II 目 录 内容 页码 摘 要 I Abstract II 引 言 1 第一章 写意花鸟画的石法探源 2 第一节 由赏而入的文化背景 2 第二节 写意花鸟画中石法的表现特征 2 第二章 宋以降代表画家的石法 3 第一节 苏轼、米芾 3 第二节 赵孟頫、倪