绘画中形、色、构图与画家精神气质表达关系的研讨.pdfVIP

河北师范大学 硕士学位论文 绘画中形、色、构图与画家精神气质表达关系的研究 姓名：马振 申请学位级别：硕士 专业：美术学 指导教师：徐福厚 摘 要 对社会生活(也可称为视觉世界) ﹑作者和作品这三者之间关系的研究，是所 有艺术史研究的切入点。本文选择了形﹑色﹑构图这三个最基本的绘画语言的要 素，分析它们在作品中的表现和运用，从而研究这三者与画家精神气质表达的关 系。选择了三位有代表性的艺术家：格列格﹑马蒂斯﹑塞尚。这三位都在形﹑色 ﹑构图上各有建树，是艺术史上承前启后的大师。本文通过对三位代表作品的分 析，总结其个人绘画语言和绘画风格的特点，结合画家当时所处的艺术背景和个 人发展经历，来研究得出结论，即绘画语言使画家精神气质的表达更加风格化， 传递的感情和其中的情绪更加真实具体，富有表现力，个人的品格形成更加成熟 趋于理性。这中间用到了格式塔心理学有关于视觉艺术的创造和欣赏的理论。 关键词：形﹑色﹑构图﹑精神气质﹑格列格﹑马蒂斯﹑塞尚﹑格式塔心理学 III Abstract Of social life (also called the visual world) ﹑ authors and works of the relationship between these three studies, is the starting point of all art history. Select the shape ﹑ color ﹑ composition of these three basic elements of painting, analyzing the performance of their works and use to study the expression of three and the relationship between artist ethos. Have chosen three representative artists: El Greco ﹑ Henri matisse ﹑Paul Cézanne .These three are shape ﹑ color ﹑ composition on each contribution, the history of the past and the masters of art. Based on the analysis of three representative works, summing up his own painting language and painting style, combining the artist at the art in which the background and personal development experience, to study concluded that the painting language so that the expression of the ethos more artists stylized, which passed the feelings and emotions more real specific, expressive, more mature individuals