中国内地雕塑创作营漫谈.docVIP

中国内地雕塑创作营漫谈 　　 　　There are many problems behind the current prevailing sculpture creating camp. To sum up, the critical opinions might be the following: 1.Lack of originality is the biggest problem in planning: the organization form and activities are widely copied without any change. 2. The quality of the artistic creation is suspectable because they are made in so short time (one month or forty days) that could hardly guarantee their quality. 3. A general problem in many camps is that the sculptor just makes his work without consideration of its organic relation with the setting place. 4. Many new sponsors never organize the artist to communicate with each other, neither will they provide assistants to the artists. They just copy the plan of other camps, and give a little payments to artists, which is suspected to purchase art work with low price. Due to the problems mentioned above, more and more artists begin to criticize or refuse to take part in these kind of activities. 　　My opinion is that it is necessary for the creating camp to exist. Besides the points mentioned above, we must realize that it is the outcome of historical development, and it can only exist in a country which is under the circumstances of good economic development and praiseworthy open up policy. 　　 　　室外雕塑国际邀请展作为一种雕塑活动，在当前的中国已变得越来越时尚了。其具体内容是，选择并围绕一个拟订的主题，邀请国内外众多雕塑家，吃住在一起，创作和劳动在一起，在规定的时间内，在助手队伍的配合下，每个雕塑家完成一件作品，永久建立在城市公园中。作为对雕塑家的回报，报销往返差旅费，负责艺术家们在星级饭店（或相当于星级饭店的条件）的食宿，安排艺术家对当地文化胜地的参观旅游和艺术家之间的交流活动，以及付给数量有限的报酬。这种类型的活动在西方早已有之，目前也非常热。英语叫SCULPTURE SYMPOSIUM。桂林的“愚自乐园”将这种活动翻成了国际雕塑创作营。我认为比“国际雕塑邀请展”要贴切。以下的行文笔者更愿意使用这种称法。 　　 　　中国的国际雕塑创作营可能始于1993年，在山东威海市发生的威海国际雕塑大赛。从那时起至今的十年里，在中国大陆地区发生过的雕塑创作营已超过二十五次。其中在桂林的“愚自乐园”已进行了八次，在长春举办的大型国际雕塑创作营已开展了五次，天津进行了二次，石家庄二次，杭州二次，北京市级的一次，北京延庆县搞过一次，在福建的惠安县进行过两次，北京艺术家群体自己策展的有两次，等等。据圈内人士评价，桂林“愚自乐园”的雕塑创作营举行的频率最高，艺术水平更受国内外艺术家们的称赏。这也是在中国大陆唯一一家由台商自己出资的雕塑创作营。一般地讲，在中国内地，大部分创作营均由政府出资主办。从这个范围讲，长春创作营举办的次数最多，规模最大。杭州的两次西湖创作营，则在政府出资主办的创作营的范围内最先引入了与具体环境配合的观念，因而受到普遍的赞誉。北京市延庆的雕塑创作营首先注意到了