04-b中国舞蹈.ppt

中 国 舞 蹈Chinese Dance; 诗，言其志也；歌，咏其声也；舞，动其容也。三者本于心，然后乐器从之。是故情深而文明，气盛而化神，和顺积中，而英华发外，惟乐不可以为伪。 (《乐记·乐象篇》) ;Introduction; 舞蹈的雕塑美：《流光花影》;舞蹈的雕塑美：《金刚》;舞蹈的建筑美：《长白飞瀑》;舞蹈的书法美：黄豆豆《甲骨随想》; 舞蹈的书法美：王亚彬《扇舞丹青》;舞蹈是前语言的文化形式 舞蹈存在于先民所有的社会文化活动之中 祭祀 庆典 出征 求偶 婚丧 驱邪;祭 祀;巫 舞;Classification of Dances;跳 魁 星;Chinese Theatrical Dance ;Chinese Classical Dance: History and Classification ;连臂踏歌陶盘;Confucian idea of music and dance : Based on the understanding of the important influence of music and dance on man’s thoughts and feelings, Confucianism considers music and dance as an effective means of education, which can help to consolidate the ruling of the state. (礼乐刑政，其极一也。) Mo Zi’s negative attitude towards music and dance (Anti-music, or《非乐》三篇, Only the first chapter exists.): Unlike the Confucians, Mo Zi holds that music and dance are of little importance to politics and to the administration of the state. He is so radical that he denies the social function of music and dance, saying that “the more music, the less efficiency in administration.”（其乐逾繁者，其治逾寡。） The Taoist view of music and dance: “The five colors blind one’s eyes; the five musical notes deafen one’s ears.” (五色令人目盲，五音令人耳聋。——《老子道德经》) The Legalists also oppose music and dance.;;The Tang Dynasty Institutions of music and dance such as Jiao Fang, Li Yuan and Tai Chang Si are established and attached to the court. The Tang music and dance are as prosperous as the Tang poetry. ( Qin Wang Po Zhen Yue and Ni Shang Yu Yi Qu) The Song and Yuan Dynasties Chinese opera gradually replaces dance as the dominant form of performing art, and dance has been integrated into the performance of the Yuan drama. ;《踏歌》;《霓裳羽衣舞》;Classification Ruan Wu (软舞), or Gentle Dance, e.g. Liang Zhu (梁祝), Chun Jiang Hua Yue Ye (春江花月夜, Moonlit Spring Night with Flowers by the River) Jian Wu (健舞), or Vigorous Dance, e.g. Xiao Dao Hui (小刀会, The Dagger Society), Qin Wang Po Zhen Yue (