与古为新——论黄宾虹艺术鉴藏活动对其绘画的影响-making the past new - on the influence of huang binhongs art collection activities on his paintings.docxVIP
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与古为新——论黄宾虹艺术鉴藏活动对其绘画的影响-making the past new - on the influence of huang binhongs art collection activities on his paintings
内容摘要对于艺术家来说,介入艺术收藏活动似乎是一个很普遍的现象。古往今来,以画家兼鉴藏家而著称的人很多。同样,在近代艺术史上,黄宾虹也是以艺术鉴藏、书画创作及研究而著称,尤其在绘画上得到了大家的公认。在近半个世纪以来的黄宾虹研究,大多数都是以黄宾虹内在变化导致的外在表现为焦点,而对于黄宾虹绘画理念的形成与其所处社会文化环境的关系,尤其细化到与艺术鉴藏活动的关系,研究并不充分,没有引起人们的重视。本文将从这一视角入手,呈现出黄宾虹的远见卓识,然后结合黄宾虹时刻关注海外中国画收藏以及海外学人对中国传统艺术的研究情况,揭示出黄宾虹坚持“与古为新”画学理念的现实动因,是对黄宾虹艺术鉴藏与绘画关系研究的选题意义,也是本文的写作目的。对黄宾虹的研究,应当以当时的社会文化环境为背景,尽量的贴近历史,避免空泛、脱离实际。本文认为,黄宾虹的艺术鉴藏活动与他的绘画实践密不可分,甚至是其形成“与古为新”绘画理念的决定性因素。本文以黄宾虹的艺术鉴藏经历为主线,结合其绘画论述以及绘画风格的演变过程,运用相关的文献史料、图像进行综合分析比较,提出黄宾虹“与古为新”的绘画理念,以此来加深对黄宾虹绘画的认识。关键词:黄宾虹艺术鉴藏与古为新AbstractItappearstobequiteaphenomenonforartiststocollectworksofart.Sinceancienttimes,thereweremanypaintersfamousasconnoisseursandcollectors.Similarly,inmodernarthistory,Huangbinhongisfamousforhisartisticcreation,research,andcollection,especiallyinlandscapepainting.Intherecenthalfcentury,mostresearchonHuangbinhongconcentratedonhisextrinsicchangeresultedfrominternalchangewhilefewhavepaidattentiontotherelationshipbetweentheformationofHuangspaintingtheoryandtheculturalenvironment(tobeaccurate,therelationshipbetweenhispaintingtheoryandhisartisticcollection).Thefollowingdissertation,fromtheviewmentionedjustnow,willshowHuangsforesight.Then,itwill,byshowingHuangsattentiontoabroadchinesepaintingcollectionandoverseascholarsresearch,revelthereasonwhyHuanginsistedonlearningfromoldtoproducenew.Keywords:Huangbinhong、Artisticcollection、Learnfromoldtoproducenew引言徽商家庭出生的黄宾虹,从小就在注重艺术收藏活动的传统里成长,受到极大的熏陶,对中国传统艺术有着深厚的感情。其父早年经商于金华,也秉承了徽商的传统,对古书画、古印章都略有收藏。正是在这样的家庭里,黄宾虹从他早年的游历期间,就开始培养自己的收藏意识。收藏已然成为黄宾虹生活重要的一部分。我们只要翻阅黄宾虹最后记录下来的日记就会发现,所记录的内容基本上都与艺术收藏有关①。显然可见,尽管处于新中国的特殊时期,艺术收藏对于高龄九十多岁的黄宾虹而言,仍是其生活的最重要组成部分,终其一生,从未间断。黄宾虹收藏的书画文物甚为丰富,据记载有:“画幅、画稿三千余帧,手稿一大箱,历代书画一千又三十八件,铜玉印八百九十三方,铜器七十九件,玉器二百十九件,陶瓷器及砚,一百六十二件,都捐献给国家。”②与此相关的还有六大册的古玺释文稿,其中分为大玺、小玺、玉印、官印、图腾等,其数量之多,可想而知。每个人都有自己的独特喜好,收藏亦然,每个收藏家也都有自己的收藏偏好。黄宾虹的收藏最显著的一点即,他不像张大千那样专挑传世名作,而是收藏能为其艺术创作带来帮助的作品,譬如他日记里提到的徐生翁、姚华的作品,再如新安派和“道咸之际”的书画家们。在黄宾虹的收藏观念里,艺术收藏最终是为了实现在艺术上的自我超越。现在黄宾虹的艺术成就被大家所公认,研究黄氏艺术的著作比比皆是,而对于老人生活的另一面则较少提及。艺术风格的形成涉及多方面的因素,既然艺术收藏活动在老人的生活中扮演着如此重要的角色,那
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