“反景观社会”艺术的批判意识——以1970年代以来北美和中国大陆的编导式摄影为例美术学专业论文.docxVIP

四川美 四川美术学院硕士学位论文 英文摘要 万方数据 万方数据 The Critical Awareness of Anti-Spectacle Art An Analysis of Fabricated Photography in North America and Mainland China since 1970s ABSTRACT French thinker Guy Debord, one of the founders of Situationist International, putted forward Society of the Spectacle in the book with the same name society of the spectacle in 1967.Deeply insight the Spectacle interweaved with the commodity society and media era, Debord profoundly criticized the spectacle which is invisible and heavy shackle, it is named as Das Kapital in the era of electronic media as well. In the 1950s of Western countries, Pop-art crazily embraced consumer culture and the mass media, its appearance cant without incentives of the spectacle, meanwhile, in the filed of avant-garde art, fabricated photography artist, succeeded to the concept and aesthetic strategy that artistic activity get involve in life which advocated by Joseph Buys, appropriation and HYPERLINK /search?q=concatenationamp;keyfrom=E2Ctranslation concatenation which originate from avant-garde art of Dada, insisted on questioning and insight the Spectacle, Just like the French Situationist who is the major contributor of Situationist International, and the matrix of the Spectacle theories, those fabricated photographer applied the appearance and form of media spectacle to create a new style of art：anti- Spectacle art. Chinas reform and opening-up takes great shock to the development our countrys social, economy and culture ,especially, since the 1990s,due to the raised living standard of people in all walks of life, mass media, such as advertising, broadcast, TV, Internet was expending quickly, China had entered the society of spectacle without notice as well. In the 1990s,under the globalization dominated by the West,Chinese contemporary artists farewell the utopia grand narrative which belong to 1980’s “New Wave”, they apply the brash and new media tech to express personal urban experience