《悲惨世界》中的巴黎形象比较文学与世界文学专业论文.docxVIP

《悲惨世界》中的巴黎形象比较文学与世界文学专业论文.docx

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《悲惨世界》中的巴黎形象比较文学与世界文学专业论文

II II Abstract Hugo was born in 1802, at which time urbanization and modernization developed rapidly and greatly under the influence of industrial revolution in Paris. The reconstruction made Paris a modern city in true sense. The urbanization changed the structure of the population, leaded to a turbulent and unsafe life and larger gap between the rich and the poor. As a humanitarian artist, Hugo paid attention to the life of depressed class. His Les Miserables covered every corner of Paris. He considered Paris as a center, described the details about the construction, the street, the life and the revolutionary uprisings, to represent the image of Paris in his mind. This essay researches the cause of image of Paris in Les Miserables. We get the meaning of writing about Paris through the analysis of concrete content in the process of unscrambling the image of Paris.There are three main parts in this essay. The image of Paris in Les Miserables, I analyze Paris as “the capital of the world” and “the velarium tent of the human being” throughout the description about the urban space and the construction of the figure in Hugo’s novel, then study the city Hugo loves deeply. The origin of the image of Paris, I analyze the cause of the image of Paris in Les Miserables. Hugo’s attachment to the city in which he was born was very great. He put Paris in his deep mind even in the period of exile. Therefore, the image of Paris in his novel was positive. With the combined effect of trend of thought in literature and art and social history factors, he concluded the image of Paris in Les Miserables. The meaning of writing about Paris, I analyze the image of Paris in this novel, then study the contradictoriness of Hugo’s creation approach, totipotency omnipotency of his narration mode and the influence of the narration about Paris on the creation of his novel. Kew words: Hugo; Les Miserables; Paris III III 目 录 绪 论…………………………………………………………………...…………….1 0·1《悲惨世界》研究现状………………………………………………………1

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