第二人称叙述研究-比较文学与世界文学专业论文.docxVIP

中文摘 中文摘要 I I 中文摘要 叙述人称是叙事学研究中的一个重要课题。传统理论从叙述者立场出发， 以叙述者与故事的空间位置为判断依据，将小说叙述人称区分为第一人称叙述和 第三人称叙述，对第二人称叙述要么含糊其辞、避而不谈，要么干脆不承认第二 人称叙述的存在。20世纪以后，随着使用第二人称叙述的小说不断涌现，传统理 论逐渐暴露出自身的缺陷，选择继续否认其存在的客观性，将不能对小说叙述类 型及叙述效果做更全面的考察，而理论上的滞后也必然不利于小说创作形式的不 断革新。在此背景下，本文重新梳理关于叙述人称及第二人称叙述的相关研究成 果，在总结和吸取前辈经验的基础上，着重从第二人称叙述的界定、类型及叙事 效果方面对第二人称叙述做一个较为深入的探讨。 第一章先是从传统理论关于叙述人称的界定入手，重点分析了“立足点说” 及相关争议，并逐条提出对“立足点说”的质疑，进而阐明本文的观点，肯定第 二人称叙述存在的客观性。 第二章以“你的位置”、“你的指代”为标准，对第二人称叙述进行多层级 划分，结合中外小说作品解读第二人称叙述类型的多样性。 第三章在前文论述的基础上，对第二人称叙述进行审美解读，主要从读者 参与、叙述节奏、哲学意味及第二人称叙述对小说叙述常规的违背四个方面来加 以申说。 关键词：第二人称叙述；类型；审美 闽南师 闽南师范大学硕士学位论文 II II Abst Abstract PAGE PAGE III Abstract Narrative person is an important topic in the research of narratology. The traditional theory distinguished the novel narrative person as the first person narration and the third person narration on the basis of the space position of narrators and from the standpoint of the narrator, the second person narration was not recognized. Sence twentieth Century, with the novels writed by second person narrative constantly emerging, the traditionaltheory has gradually exposed its defect, so continue to deny the objectivity of its existence will not be able to do good job in study of narrative type and the narrative effect . In the other side, the lag of theory will not conducive to innovation in the form of novel creation. Under this background, this article combs the related research results about the narrative person and the second person narration.On the basis of predecessors experience,we will make an in-depth discussion mainly about the second person narrative definition, types and it?s narrative effect . The first chapter studied about the traditional theory of the definition of the narrative person,raised our question to the theory of foothold,and then illustrated our view-- the second person narration was exist objectivitely. The second chapter we distinguished the second person narration as the standard of where you are and who you are , then s