互文性与《红楼梦》中互文符号的翻译-英语语言文学专业论文.docxVIP

符号的处理方法，进一一步阐释互文性理论对文学翻译的积极作用。文 符号的处理方法，进一一步阐释互文性理论对文学翻译的积极作用。文 章认为，互文性为文本的理解和创造提供了文化框架。只有把互文符 号置于文化框架之中，找出和分析它们的互文本，才能深刻理解和全 面诠释互文符号。第三章深入探讨了互文符号的翻译取向策略、方法 以及它们的翻译对译者的要求。互文性是民族文化长期积淀的产物。 在翻译取向方面，遵循以源语文化为归宿的原则能最大限度地保存文 学作品的“异国情调”，即民族文化特征，让译文读者能充分领略到 另一文化圈内的互文性联系，扩大他们的文化视野，也有利于源语文 化和译语文化的交融和互补。在翻译方法上，应以直译为主，适当地 运用一些补偿手段。要做到忠实成功地翻译互文符号，译者必须具有 双语言能力和双文化能力。 在结论部分，作者进一步指出本文虽然只讨论《红楼梦》中互 文符号的翻译，但是对文学翻译具有普遍的意义。将互文性理论引入 文学翻译，不仅可以看作一种认识论，也可以视为一种方法论。 关键词：互文性，互文符号，文学翻译，《红楼梦》 ll AbstractThe Abstract The theory of intertextuaHty，originating from semiotics，is widely 印plied to literary criticism and tIanslation studies．Whereas many sch01ars at home and abroad have devoted themselves to the theoretical research of intertextuality from different angels，studies of its practical application are by and laIge neglected．1his thesis is an attempt to apply the theory of inteftextuality to the study of translation pracIice，to be specific，to the study of the translation of intertextual signs in 1iterary translation． Intenextuality，a te柚first coined by the French semioticist Julia 融isteva，is used to Iefcr to the relationship of one text with otlle¨exts． Deconstructionists hold that no text can be tmly ori舀nal，for eVe巧tex“s an absorption and transfo彻ation of other tcXts，aIld textual meaning eomes from the interaction between dif￡erent texts．Chltural connotations and kIlowle姑e structures are incorpomted into inteftextual reference． From the perspective of semiotics，an intertextual sign is a combination of many elements that may cause interaction with other signs within or outside its own sVstem．It is not necessarily a substantial par毛of the intertextual reference，but is a cmcial tangible pointer to it． The translation of intertextual signs should be given enough attention to in literarv tr a：n意lation because thev毛文tend the bo矗iidaries of textual meaning and contIibute to proper undeIstanding and fIlU rendering of texts． In literary works，intertextual signs generally include quotations， literary