美国华裔女性作家的自我书写-比较文学与世界文学专业毕业论文.docxVIP

摘要本文运用传记文学理论以及女性主义批评，对美国华裔女性代表作家黄玉 摘要 本文运用传记文学理论以及女性主义批评，对美国华裔女性代表作家黄玉 雪的《华女阿五》，汤亭亭的《女勇士》，以及谭恩美的《喜福会》作了历时性研 究，旨在揭示华裔女性作家自我书写的发展脉络。自我书写在本文中有双重含 义：其一，形式上，三位作家的作品采用了自传或者自传小说；其二，内容上， 这些作品展现了华裔女性寻求自我的历程。 《华女阿五》中的第三人称与作者表现的对于个性的追求产生了矛盾，因此， 对于黄玉雪，“我”是自相矛盾的。《女勇士》对自传文学的定义发出了挑战。书 中虚构的“自我”帮助建构真实的“自我”。《喜福会》是基于谭恩美与其母亲 真实经历的一部自传体小说，其中女儿“自我”的建构是通过反抗母亲的训令实 现的。从第三人称到第一人称的转化标志了女性自我意识的觉醒。这些作品与其 说是对“自我”的解析，倒不如说展示了“自我”的难以确定性。 三位女作家的作品不仅对美国自传文学的繁荣和建构做出了贡献。同时，无 论是从自传的写作形式还是自传的传主，都对传统传记的观点提出了质疑，实现 了对它的解构。毋庸置疑，这些作家对美国华裔文学的发展也起到了不可轻视的 作用。 关键词：美国华裔女作家，自传书写，自我 AbstractBy Abstract By applying biographical theories and feminist criticism，this thesis makes diachronic research three literary texts by three Chinese American women writers： 瞰h Chinese Daughter by Jade Snow Wang，The Woman耽Ⅳfor by Maxine Hong Kingston，and The Joy Luck Club by Amy Tan，intending to make clear the thread of female autobiographical writing in Chinese American literature． “Self-writing”i11 this thesis has double meanings．The first refers to the Hterary form--autobiography autobiographical fiction written by these writers．The second indication is that with autobiographical writing，the writers intend to put the process ofpursuing“self’in words． The Fifth Chinese Daughter is characterized for its application of the third person point of view,which seems to be contradictory to the author’S pursuit of individuality．The self for Jade Snow Wong is a paradoxical I’．The Woman Warrior challenges the very definition of autobiograpby and the fictive selves help to construct the true sel￡霸g Joy Luck Club．based On Amy Tan’S experiences with her mother,is autobiographical fiction．The making of“self’for the daughter generation is realized by their opposing to the instructions imposed by their Chinese mothers．The difficu／ties oflocating“self’，rather than the analysis ofit，re depicted． These works by Chinese American women writers have succeeded in helping not only the COiIS在Uel；iOn，but also the deconstraction of the body of American autobi