论勃拉姆斯钢琴小品的独特美感及风格成因-音乐学专业论文.docxVIP

摘要当浪漫主义音乐思潮席卷欧洲时，勃拉姆斯没有随波逐流，而是 摘要 当浪漫主义音乐思潮席卷欧洲时，勃拉姆斯没有随波逐流，而是 在吮吸前人经典的基础上融入新的创作元素。在其作品中袒露出非主 流思想的个人主义倾向。从勃拉姆斯身上既可以看到古典德奥音乐传 统，同时也充满了强烈的浪漫主义特征。他的音乐含蓄而深沉。勃拉 姆斯早年写下许多大型古典乐曲。晚年则转向“特性钢琴作品的创 作，包括狂想曲、随想曲、间奏曲、叙事曲、幻想曲等多种体裁形式， 这些小品体现了他纯熟的创作技巧和独特的美感特质。 任何作品都不能离开文化土壤和社会环境而独立存在。早期的大 型作品向晚期的小型作品兴趣的转变，正是他创作理念和美学思想转 变的集中表现。这一切离不开古典音乐文化的传承和民间音乐的影 响。 本文在第一章中阐述勃拉姆斯晚期钢琴音乐创作轨迹和背景。第 二章分析勃拉姆斯钢琴小品的美感特质。在第三章中探讨勃拉姆斯钢 琴小品的风格成因。参考音乐史学、音乐美学、古典哲学研究的成果， 并结合音乐本体研究，以期能深入理解勃拉姆斯晚期钢琴作品的深刻 内涵，在更高层面上演奏和欣赏这些钢琴作品。 关键词：约翰内斯·勃拉姆斯、钢琴小品、独特美感、风格成因 AbstractWhen Abstract When Romantic Music ideas swept Europe，Brahms did not drift with the tide，but in the classic sucking on the basis of their predecessors into new creative elements．He expressed a non-mainstream thinking of the tendencies of indiVidualism in hi s works．From Brahms carl be seen on both the German and Austrian classical music tradition，but also with a strong sense of romanticism features．His music is subtle and profound． Brahms wrote many large class ical music early．In old age，he changed to“characteristicspiano music works，including Rhapsody，Capriccio，Intermezzo，bal lad，Fantas ia，and other forms of genre，these pieces reflect his purely creative skills and unique aesthetic qualities． Works can not leave soil cultural and social environment and independent ex i stence．The exchange from large to smal l works was hi s creat ive ideas and aesthet ics of the concentrated expression of ideological transformation． All this is inseparable from the cultural heritage of classical music and folk music influence． n Thi Thi s paper described in the first chapter of late Brahms piano music tracks and background．The second chapter analysis the aesthetic character of his Piano Pieces．In the third chapter of the Brahms Piano Pi eces style causes．Reference music history，and aesthetics of music，classical philosophy and the results of research，combined with music ontology research， in—depth understanding with a view to the late piano works of Brahms the profound conn