刘长卿与大历诗风-中国古代文学专业论文.docxVIP

THE THE RELATION BETWEEN LIU CHANGQING AND PoEM STYLE DURING THE REIGN oF EMPEROR DAI ABSTRACT The reign of Emperor Dai was a special stage in the history of poem during the Tang Dynasty．Most poets had too low official position to realize idea．They often gathered and wrote poems to one another，thus，these poems were similar in style and form，and showed a tendency of typilizition。The thesis insists that“ten gifted scholar”can’t stand for the poets during the reign of Emperor Dai， and the poets in local omcialdom in south of the lower reaches of the Changj iang River had rich experience and independent idea because of 100se—fitting political environment．Their creation stood for the highest achievement of the reign of Emperor Dai really，Liu changqing occupied a special position and created splendidly．His poems took on the lOCHS of transition of poem style from the Grand Tang to the reign of Emperor Dai，and reflected the poem style at that time，The thesis analysed poem style from those sides：direction of theme，art seeking and poem form，and seek proofs for the statement： the blending of emotion and scent was finished during the reign of Emperor Dai．It was told that the telation between poems during Emperor Dai and ei，liang．According to the study in the thesis and the later,we want to make some People understand poems during Emperor Dai clearly and evaluate it iust and sound． KEY WORDS：Lin Chang—qing，poem style during the reign of Emperor Dai，character of Mohism，hermit in officialdom，the blending of emotion and scent 引 引 言 唐代宗大历时期，国运承安史叛乱之弊，经济衰退，社会动荡。“文变染乎世 情，兴废系乎时序”(《文心雕龙·时序》)，诗歌发展水平骤降，在盛唐诗歌的辉 煌光芒下，大历诗歌愈显其消沉、颓废。诗论家多以二元对立思维模式，将盛唐 与大历作为唐诗兴废的两极，，并认为是文学代降的象征。严羽说：“论诗如论禅， 汉魏晋与盛唐之诗，则第～义也。大历以还之诗，则小乘禅也，已落第二义矣。” (《沧浪诗话·诗辨》)但中唐高仲武辑《中兴间气集》、姚合辑《极玄集》，专力 搜选大历诗人作品，肯定其清雅、婉丽的电美风尚。我们认为，大历诗人有着自 己的诗歌标准，应当注意到“大历体”的存在。过去对大历的研究常止于十才子， 以之代表大历诗人，对大历诗歌便形成了内容空洞、形式板滞的认识。 刘长卿是大历诗歌重镇，但由于对其生年的错误认识，过去常把他看作盛唐 诗人。薛雪评他的诗“得意处竟可与少陵索笑”(《一瓢诗话》)；清人卢文昭也认 为“子美之后定当推为巨擘”(《抱经堂文集》卷七)。刘长卿两唐书无传，生平材 料甚少，以致所传多有舛误。新时期以来，