咏叹调《我亲爱的爸爸》演唱版本比较研究——以迪里拜尔、安娜·奈瑞贝科、曹秀美为例.pdfVIP

中文摘要 十九世纪末，许多欧洲的作曲家致力于用新的表现手法去创作，然而普契尼为了 加强他所要表现的题材内容，很少吸收借鉴现代技巧，一直坚持着他的现实主义音乐 创作风格。在他的 《三联剧》这三部独幕歌剧中，我们特别能感受到这一特点。 《我 亲爱的爸爸》这首咏叹调选自普契尼的歌剧 《贾尼 斯基基》，这是他 《三联剧》的第▪ 三部独幕喜歌剧，叙述的是骗子贾尼 斯基基冒充死去的富翁而代立假遗嘱的故事。在• 这部歌剧中贾尼 斯基基的女儿劳雷塔恳求父亲时唱的《我亲爱的爸爸》，音乐抒情纯▪ 美，虽然篇幅短小，但是演唱处理有一定的难度，也是普契尼歌剧中颇为有名的一首。 本文选取迪里拜尔，安娜 奈瑞贝科，曹秀美三位歌唱家的演唱版本，从演唱力度与速▪ 度，演唱细节，演唱风格等角度进行比较分析，并结合笔者自身的学习体验做出总结。 关键词：我亲爱的爸爸 版本比较 艺术风格 Abstract At the end of the 19th century, many European composers devoted themselves to creating with new techniques of expression. However, Puccini, in order to strengthen the theme and content of his performance, seldom absorbed and borrowed modern techniques, and always adhered to his realistic music creation style. In his three single act operas, the triple play, we can particularly feel this feature. O mio babbino caro is an aria from Puccinis opera ‘Gianni Schicchi’, the third one act of his trilogy, tells the story of a liar, Gianni Schicchi, who pretends to be a dead rich man and makes a false will on his behalf. In this opera, O mio babbino caro sung by Lauretta, Gianni Schicchi’s daughter, when she pleaded with her father, is lyrical and beautiful.Although its short, its difficult to deal with it. Its also a very famous Puccini opera. This paper selects Dilber Yunus, Anna Netrebko and Cao Xiumei are compared and analyzed from the aspects of singing strength and speed, singing details, singing style, etc., and the authors own learning experience is combinedtomakea summary. Keywords: Omiobabbinocaro Version comparison Artistic style 〝 〞 目 录 引 言·····································································································1 一、咏叹调 《我亲爱的爸爸》概述································································2 ▪ ··········